Love stories; New England -- Social life and customs -- 20th century -- Fiction
Note: Images of the original pages are available through
Internet Archive. See
https://archive.org/details/keynotenovel00burniala
THE KEY NOTE
A Novel
by
CLARA LOUISE BURNHAM
[Illustration: Logo]
Boston and New York
Houghton Mifflin Company
The Riverside Press Cambridge
1921
Copyright, 1921, by Clara Louise Burnham
All Rights Reserved
TO
JOSEPHINE
CONTENTS
I. THE RAPSCALLION 1
II. VERONICA 19
III. A FRIENDLY PACT 45
IV. BIOGRAPHY 70
V. A FIRELIGHT INTERVIEW 90
VI. THE HAUNTED FARM 110
VII. ANOTHER WOUND 125
VIII. SKETCHES 137
IX. A WORKING PLAN 151
X. NICHOLAS GAYNE CONFIDES 164
XI. THE NEWPORT LETTER 181
XII. COUSIN HERBERT 194
XIII. THE LAW 208
XIV. THE WILL 222
XV. A SUDDEN JOURNEY 234
XVI. THE NEW CLIENT 246
XVII. THE HEIR 262
XVIII. DIANA'S IDEAL 276
XIX. MOONLIGHT 293
XX. REUNION 303
XXI. GOOD-BYES 317
XXII. THE DINNER PARTY 329
XXIII. THE MOON-GODDESS 345
THE KEY NOTE
CHAPTER I
THE RAPSCALLION
The sea glittered in all directions. The grassy field, humpy with knolls
and lumpy with gray rock, sloped down toward the near-by water. Bunches
of savin and bay and groups of Christmas trees flourished in the fresh
June air, and exhilarating balsamic odors assailed Miss Burridge's
nostrils as she stood in the doorway viewing the landscape o'er and
reflectively picking her teeth with a pin.
"It's an awful sightly place to fail in, anyway," she thought.
Her one boarder came and stood beside her. She was a young woman with a
creamy skin, regular features, dark, dreaming eyes, and a pleasant, slow
smile.
"Are you gathering inspiration, Miss Burridge?" she asked, settling a
white tam-o'-shanter on her smooth brown locks.
"I hope so, Miss Wilbur. I need it."
"How could any one help it!" was Diana Wilbur's soft exclamation, as she
took a deep breath and gazed at the illimitable be-diamonded blue.
Priscilla Burridge turned her middle-aged gaze upon the enthusiasm of
the twentieth year beside her.
"Do you know of any inspiration that would make me able to get the
carpenter to come and jack up the saggin' corner of that piazza?" she
asked. "Or get the plumber to mend the broken pipe in the kitchen?"
Miss Wilbur's dreaming gaze came back to the bony figure in brown
calico.
"It seems almost sacrilege, doesn't it," she said in a voice of awe, "to
speak of carpenters and plumbers in a place like this? Such odors, such
crystal beauty untouched by the desecrating hand of man."
Public-domain text, read in full here on John Shaqi.
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