Montagu is shown to Lockwood is shown to Jane, in bed one bed up a step-ladder bed, and sleeps only night, sleeps only that leads through a fitfully, dreaming. fitfully, dreaming. trap, and sleeps only He hears noises and She hears noises and fitfully, dreaming. perceives a gleam of perceives a gleam of He hears noises and light. He starts to light. She starts to perceives a gleam of find the white-faced find the apparition light He starts to apparition of his of her master's wife find the white-faced host standing at his standing at her apparition of his bedside, lighted bedside, lighted hostess standing at candle in hand, his candle in hand, her his bedside, lighted features convulsed features convulsed candle in hand, her with diabolical rage. with diabolical rage. features convulsed The harsh-voiced, The harsh-voiced, with diabolical rage. Yorkshire peculiar female The deep-voiced, dialect-speaking servant Jane first Yorkshire man-servant, a sour encountered after dialect-speaking old man (Charlotte having gone to the peculiar man-servant Brontë's Method II., attics and through a he sees by looking the altering of the trap-door to the down the step-ladder age of a character roof. through the trap. portrayed), comes down a step-ladder that vanished through a trap. In the literal extracts I now give the reader will perceive that in the description of the bedside, candle-bearing apparition in _Jane Eyre_, Charlotte Brontë followed Montagu almost word for word, and in the whole staging of the midnight episode at the house of the inhospitable host in _Wuthering Heights_ followed him entirely in outlining the story. Both the _Wuthering Heights_ and _Jane Eyre_ versions give unequivocal evidence of being refractions from Montagu conveyed through one brain alone, the peculiar idiosyncrasy and elective sensitiveness of which are undeniably recognizable as Charlotte Brontë's:-- MONTAGU. _Wuthering Heights._ _Jane Eyre._ A Night's Repose. A Night's Repose. A Night's Repose.