It is interesting to recall Branwell avowed he, and not Emily, wrote
_Wuthering Heights_. This fact and the association of Branwell Brontë
incidents and epithets with the book induced Mr. Leyland to advocate
Branwell's authorship. _The Key to the Brontë Works_ shows the
absurdness of such a claim. Mr. Leyland suggested Branwell may have
collaborated with Emily; and he professed to discover a break in the
style. I find, however, that though there were violent psychical
fluctuations in the mood of the writer of _Wuthering Heights_, the book
is throughout the work of Charlotte Brontë. This may be proved alone by
the Chapter III., with which I now deal: it is the "key" chapter, and
is, so to speak, a microcosm of _Wuthering Heights_, as the reader will
perceive by help of my index. Whosoever was the writer of this third
chapter wrote the whole of _Wuthering Heights_, and we see it was Currer
Bell.
By Charlotte Brontë's Method I., interchange of the sexes, the
interloper Jane in the early chapters of _Jane Eyre_ and the interloper
Heathcliffe in the early chapters of _Wuthering Heights_ become one and
the same; and Hindley's tyrannizing over Heathcliffe is John Reed's
(Branwell Brontë's) tyrannizing over Jane Eyre (Charlotte Brontë).
Again, by Method I., interchange of the sexes, old Joseph, in
Charlotte's _Wuthering Heights_ version of the rainy day incident in her
childhood, serves the part of the servant Tabitha Aykroyd, for whom
Bessie in the _Jane Eyre_ version of the rainy day incident was drawn.
(See "Joseph" and his bit of garden, _Wuthering Heights_, Chapter
XXXIII.; also my footnote on page 47.) Thus Charlotte Brontë as
Catherine tells us that when she was banished from the comfortable fire
"Joseph" sermonizes, and that she hoped he might give "a short homily
for his own sake"; and in the scene in _Jane Eyre_ drawn from the same
incident Jane was left to Bessie, who "supplied the hiatus by a homily
of an hour's length, in which she proved beyond a doubt that I was the
most wicked and abandoned child ever reared under a roof."
Public-domain text, read in full here on John Shaqi.
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