When he turned back, a day later, from the turmoil of the station,
from the strenuous labor of weighing trunks, locating the compartment
in the train, subsidizing the guards, and, hardest of all, saying
good-bye to Duska with a seeming or normal cheerfulness, Steele found
himself irritably out of measure with the quick-step of Paris. Mrs.
Horton and the girl were on their way to the Riviera. He was left
behind to watch results; almost, it seemed to him, to sit by and
observe the post-mortem on every hope in the lives of three people.
Nice should still be quiet. The tidal wave of "trippers" would not for
a little while sweep over its rose-covered slopes and white beaches
and dazzling esplanades, and the place would afford the girl at least
every soothing influence that nature could offer. That would not be
much, but it would be something.
As for himself, he felt the isolation of Paris. On a desert, a man
may become lonely; in deep forests and on high mountains, he may come
to know and hate his own soul in solitude, but the last note of
aloofness, of utter exile, is that which comes to him who looks vainly
for one face in a sea of other faces, whose small cosmos lies in
unwept and unnoticed ruin in the midst of a giant city that moves
along its indifferent way to the time of dance-music. In the hotel,
there was the chatter of tourists. His own tongue was prattled by men
and women whose lives seemed to revolve around the shops of the _Rue
de la Paix_, or whose literature was the information of the
guide-books. He felt that everyone was invading his somberness of mood
with trivialities, until, in revulsion against the whole stage-setting
of things, he had himself and his luggage transported to the _Hotel
Voltaire_, where the life about him was the simpler life of the less
pretentious _quais_ of the Seine.
Public-domain text, read in full here on John Shaqi.
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