"One meets so many of your countrymen in South America," he suggested,
"that one might reasonably expect them to lose interest as types, yet
each of them seems to be the center of some gripping interest. I
remember in particular one episode--"
The recital was cut short by the entrance of Steele and Saxon. Ribero,
the only person present requiring introduction, rose to shake hands.
[Illustration: {Saxon and Ribero meet}]
The attache was trained in diplomacy, and the rudiments of diplomacy
should teach the face to become a mask when need be, yet, as his eyes
met those of Saxon, he suddenly and involuntarily stiffened. For just
a moment, his outstretched hand hesitated with the impulse to draw
back. The lips that had parted in a casual smile hardened rigidly, and
the eyes that rested on the face of Steele's celebrity were so
intently focused that they almost stared. The byplay occupied only a
moment, and, as Ribero had half-turned from the table to greet those
entering at his back, it escaped the notice of everyone except Saxon
himself. The newcomer felt the momentary bar of hostility that had
been thrown between them and as quickly withdrawn. The next moment, he
was shaking the extended hand, and hearing the commonplace:
"Much pleased, senor."
Ribero felt a momentary flash of shame for the betrayal of such
undiplomatic surprise, and made amends with added courtesy when he
spoke.
The artist, dropping into his seat at the side of Miss Filson, felt a
flush of pleasure at his position. For the instant, the other man's
conduct became a matter of negligible importance, and, when she turned
to him with a friendly nod and smile, he forgot Ribero's existence.
"Mr. Ribero," announced Mr. Bellton, "was just about to tell us an
interesting story when you two delinquents came in. I'm sure he still
has the floor."
The diplomat had forgotten what he had been saying. He was covertly
studying the features of the man just beyond Miss Filson. The face was
turned toward the girl, giving him a full view, and it was a steady,
imperturbable face. Now, introduced as raconteur, he realized that he
must say something, and at the moment, with a flash of inspiration, he
determined to relate a bit of history that would be of interest at
least to the narrator. It was not at all the story he might have told
had he been uninterrupted, but it was a story that appealed to his
diplomatic taste, because he could watch the other face as he told it
and see what the other face might betray. This newcomer had jarred him
from his usual poise. Now, he fancied it was the other's turn to be
startled.
"It was," he said casually, "the narrowest escape from death that I
have seen--and the man who escaped was an American."
Public-domain text, read in full here on John Shaqi.
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