"Letting things lie," demurred Saxon, "solves nothing."
"Why solve them?" Steele paused at his door. "It would seem to me that
with her in your life you would be safe against forgetting your
present at all events--and that present is enough."
The summer was drawing to its close while Saxon still wavered. Unless
he faced the charge that seemed impending near the equator, he must
always stand, before himself at least, convicted. Yet, Duska was
immovable in her decision, and Steele backed her intuition with so
many plausible, masculine arguments that he waited. He was packing and
preparing the pictures that were to be shipped to New York. Some of
them would be exhibited and sold there. Others, to be selected by his
Eastern agent, would go on to the Paris market. He had included the
landscape painted on the cliff, on the day when the purple flower
lured him over the edge, and the portrait of the girl. These pictures,
however, he specified, were only for exhibition, and were not under
any circumstances to be sold.
Each day, he insisted on the necessity of his investigation, and
argued it with all the forcefulness he could command, but Duska
steadfastly overruled him.
Once, as the sunset dyed the west with the richness of gold and purple
and orange and lake, they were walking their horses along a hill lane
between pines and cedars. The girl's eyes were drinking in the color
and abundant beauty, and the man rode silent at her saddle skirt. She
had silenced his continual argument after her usual decisive fashion.
Now, she turned her head, and demanded:
"Suppose you went and settled this, would you be nearer your
certainty? The very disproving of this suspicion would leave you where
you were before Senor Ribero told his story."
"It would mean this much," he argued. "I should have followed to its
end every clew that was given me. I should have exhausted the
possibilities, and I could then with a clear conscience leave the rest
to destiny. I could go on feeling that I had a right to abandon the
past because I had questioned it as far as I knew."
She was resolute.
"I should," he urged, "feel that in letting you share the danger I had
at least tried to end it."
She raised her chin almost scornfully, and her eyes grew deeper.
"Do you think that danger can affect my love? Are we the sort of
people who have no eyes in our hearts, and no hearts in our eyes, who
live and marry and die, and never have a hint of loving as the gods
love? I want to love you that way--audaciously--taking every chance.
If the stars up there love, they love like that."
Some days later, Mrs. Horton again referred to her wish to make the
trip to Venezuela. To the man's astonishment, Duska appeared this time
more than half in favor of it, and spoke as though she might after all
reconsider her refusal to be her aunt's traveling companion. Later,
when they were alone, he questioned her, and she laughed with the
note of having a profound secret. At last, she explained.
Public-domain text, read in full here on John Shaqi.
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