"His career has been pretty much a march of successive triumphs
through the world of art, and he has left the critics only one peg on
which to hang their carping."
Steele spoke with the warmth of enthusiasm. He had succeeded in
capturing Duska for a few minutes of monopoly in the semi-solitude of
the verandah at the back of the club-house. Though he had a hopeless
cause of his own to plead, it was characteristic of him that his first
opportunity should go to the praise of his friend.
"What is that?" The girl found herself unaccountably interested and
ready to assume this stranger's defense even before she knew with what
his critics charged him.
"That he is a copyist," explained the man; "that he is so enamored of
the style of Frederick Marston that his pictures can't shake off the
influence. He is great enough to blaze his own trail--to create his
own school, rather than to follow in the tracks of another. Of
course," he hastened to defend, "that is hardly a valid indictment.
Every master is, at the beginning of his career, strongly affected by
the genius of some greater master. The only mistake lies in following
in the footsteps of one not yet dead. To play follow-the-leader with a
man of a past century is permissible and laudable, but to give the
same allegiance to a contemporary is, in the narrow view of the
critics, to accept a secondary place."
The Kentuckian sketched with ardor the dashing brilliance of the
other's achievement: how five years had brought him from lethal
obscurity to international fame; how, though a strictly American
product who had not studied abroad, his _Salon_ pictures had
electrified Paris. And the girl listened with attentive interest.
When the last race was ended and the thousands were crowding out
through the gates, Saxon heard his host accepting a dinner invitation
for the evening.
"I shall have a friend stopping in town on his way East, whom I want
you all to meet," explained Mr. Bellton, the prospective host. "He is
one Senor Ribero, an attache of a South American legation, and he may
prove interesting."
Saxon caught himself almost frowning. He did not care for society's
offerings, but the engagement was made, and he had now no alternative
to adding his declaration of pleasure to that of his host. He was,
however, silent to taciturnity as Steele's runabout chugged its way
along in the parade of motors and carriages through the gates of the
race-track inclosure. In his pupils, the note of melancholy unrest was
decided, where ordinarily there was only the hint.
"There is time," suggested the host, "for a run out the Boulevard; I'd
like to show you a view or two."
The suggestion of looking at a promising landscape ordinarily
challenged Saxon's interest to the degree of enthusiasm. Now, he only
nodded.
Public-domain text, read in full here on John Shaqi.
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