compared with the dado, the composition columns, the settees and other
accessories of the room. Dust, black, deep and ancient, had settled
among those gilded lilies and plaster cupids; part of the work had
fallen away, exposing the supporting wires, and part was grievously
cracked. It may be because plaster cracks more irregularly than marble,
but whatever the reason a noseless plaster Muse, however elegant
originally, cannot reassert her loveliness like an antique torso or the
armless Aphrodite.
Moreover, the spider, ubiquitous and remorseless, had woven his
octagonal mesh in every crevice of the wall, and, more shamelessly
still, among the pendants of the great glass chandelier, wherein were
still sticking grisly and darkened stumps of candle, the same that had
been lit at the requiem of the last King of Alsander twenty years ago.
Since then a plain lamp (so portable and so much easier to light) had
been deemed sufficient for the service of the Court.
Perhaps the most pitiable objects in the room were the two or three
sofas that still remained, their gilt tarnished, their tapestries y
mouldy and eaten by the moth. But the hall contained another seat of a
far different aspect, impervious to such decay. Beneath the great rose
window it stood, at the upper end of the room, strangely out of place, a
cold and massive work, the ancient throne of the Kradendas. It was
fronted by wide steps, flanked by grotesque yet grand lions, and wrought
of granite rock. And if this rude and barbaric throne was anomalous in
so artistic a room, still more vivid was the contrast between the
majesty of its structure and the majesty of him who sat thereon.
For there sat the imbecile Andrea, with watery grey eyes, with hair and
hands unkempt, arrayed in the stifling drapery of his state robes. He
was a young man, but he seemed to have been alive five hundred years.
His features parodied the portraits of his ancestors. With the heavy
iron crown of Alsander on his head, and a great silver sceptre in his
hands, he sat immobile; only his mumbling lips seemed to address a
phantom and imaginary Court.
CHAPTER V
OF THE KNIGHTING OF NORMAN PRICE
Do diddle di do,
Poor Jim Jay
Got stuck fast
In yesterday.
_Peacock Pie._
The madman on the throne seemed to know Norman's guide, for he showed no
surprise, but asked immediately:
"Whom hast thou with thee, O last courtier of the Court of the
Kradendas?"
"A young squire, O my liege the King, who will devote his life to rescue
the house of the Kradenda from infamy and harm," said the beggar.
"He is young, but our need is great. Above all, we need brave men. We
need such men as have made Alsander what it is. Tell me," he continued,
turning to Norman, "are you brave or fearful?"
Public-domain text, read in full here on John Shaqi.
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