At last the carriage stopped at the grand porch of the Cathedral. There,
after Norman had been robed in those same overpowering and sumptuous
cloths of state that had been stripped from the unconscious Andrea, the
ceremony of re-coronation took place. It proved to be an elaborate
function, invented by an old-time Bishop with a passion for symbolism
and an eye for scenic effect. It consisted of appropriate ritual
minutiae, as, for instance, the re-anointing and replacing of the
crown--which it would be tedious to describe in detail. But the closing
scene of the service was superb. Norman raised himself from his knees,
and turned towards the people, feeling his young body awkwardly stiff
amid the heroic amplours of his purple robes, and in a few sentences
promised to increase the glory of Alsander, making no reference to the
mad years gone by. Idle to reproduce those simple sentences, without the
animate vision of that clear voice, and the humorous, handsome face with
its brilliant blue eyes; without knowing that most wonderful of
Cathedrals, whose Byzantine mosaics seemed no less barbarous and
splendid than the aristocracy, expectant beneath, whose jewels, the
hoard of feudal treasure chests, glimmered and swayed dimly in the
incense-laden choir.
And strange it was how when he made that speech the words of the boy
rang true and sincere. In the glory of the ceremony he forgot the shabby
and grotesque conspiracy: he became for the moment the King of
Alsander: he meant the words he said.
Public-domain text, read in full here on John Shaqi.
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