The afternoon was ushered in by a long procession of girls and youths:
the girls carrying little pots wherein grew wheat, cornflowers and
poppies. They passed in Indian file before the Cathedral, and each fair
girl that passed broke her pot against the door, in front of whose
dinted panels soon grew up a little mountain of sherds, and earth, and
fading flowers and corn. Then they passed down to the riverside, and the
King followed them in state. There they found themselves face to face
with the young men of Alsander, many of them in that gorgeous national
costume of which Arnolfo was so fond, who had left them at the Cathedral
door and had run round the bridge and were already facing them on the
opposite bank. The youths threw off boots and socks, if they were
wearing them, and coats, if they possessed them: neither did the girls
fear to display their shapely feet: men and maidens entered the stream,
the men valiantly, the maids demurely, and then, dipping their hands in
the water, they began splashing each other vigorously across the river.
When all were soaked with water many of the men swam over, seized a girl
and ducked her in the stream: this was held to be a most solemn
betrothal. For in the meantime the priests and the Cathedral choir had
assembled on the bridge and young voices began to raise the old Latin
hymn of the Consecration of the Waters, a hymn older than the Cathedral
of Alsander itself, one of the oldest hymns in the world. Swiftly the
tumult was stilled, and all knelt by the shore.
Raised on a platform behind the priests stood the tall King: he did not
seem to share the joy of all the others, and while they knelt he shaded
his eyes, but not for prayer, The first excitement of his adventure had
passed: seeing now all around him in the clear and truthful sunlight
this mock revel given in his honour and in honour of a lie, he felt a
thief and a liar. There was no thrill of triumph in his heart for his
achievement. His fellow conspirators had taken him into their farce as
one might take a spectator from the stalls and dress him up for the role
of King. In the farce nothing mattered--honour or right or manhood. Now
here was reality to face him: he was a King, and an impostor. The
amazing Arnolfo, whose fantasy and youth had given some poetry to the
crude conspiracy, had deserted him. Women, and the fair woman he had
seen in the light of morning--was it a thousand years ago?--were lost to
him for ever. As amid the joyous sunshine of that first morning when he
saw Alsander rise up above her meadows, when, afraid of the world's too
deadly beauty, he had felt more lonely than ever in his life before, so
now when he had achieved this marvellous thing, now that he ruled the
ancient, fair and fabled city, he sank into utter desolation of the
soul. And this time no golden girl would chase the black phantom of
sorrow from his soul.
Public-domain text, read in full here on John Shaqi.
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