The King of Schnorrers: Grotesques and FantasiesZangwill, Israel
General
The King of Schnorrers: Grotesques and Fantasies
Zangwill, Israel
Humorous stories; Jewish fiction; Jews -- England -- Fiction; London (England) -- Fiction
Needless, therefore, to say it was Sabra who made the Dragon
semi-sentimental. Not in the "book," of course, where his desire to
eat her remained purely literal. Real Dragons keep themselves aloof
from sentiment, but a stage Dragon is only human. Such a one may be
entirely the slave of sentiment, and it was perhaps to the credit of
our Dragon that only half of him was in the bonds. The other half--and
that the better half--was saturnine and teetotal, and answered to the
name of Davie Brigg.
Davie was the head man on the Dragon. He played the anterior parts,
waggled the head and flapped the wings and sent gruesome grunts and
penny squibs through the "firebreathing" jaws. He was a dour
middle-aged, but stagestruck, Scot, very proud of his rapid rise in
the profession, for he had begun as a dramatist.
The rear of the Dragon was simply known as Jimmy.
Jimmy was a wreck. His past was a mystery. His face was a brief record
of baleful experiences, and he had the aspirates of a gentleman. He
had gone on the stage to be out of the snow and the rain. Not knowing
this, the actor-manager paid him ninepence a night. His wages just
kept him in beer-money. The original Sabra tamed two lions, but
perhaps it was a greater feat to tame this half of a Dragon.
Jimmy's tenderness for Sabra began at rehearsal, when he saw a good
deal of her, and felicitated himself on the fact that they were on in
the same scenes. After a while, however, he perceived this to be a
doleful drawback, for whereas at rehearsal he could jump out of his
skin and breathe himself and feast his eyes on Sabra when the Dragon
was disengaged, on the stage he was forced to remain cramped in
darkness while Ptolemy was clowning or St. George executing a step
dance. Sabra was invisible, except for an odd moment or so between
the scenes when he caught sight of her gliding to her dressing-room
like a streak of discreet sunshine. Still he had his compensations;
her dulcet notes reached his darkness (mellowed by the painted canvas
and the tin scales sewn over it), as the chant of the unseen cuckoo
reaches the woodland wanderer. Sometimes, when she sang that song
about the County Council, he forgot to wag his tail.
[Illustration: "SOMETIMES, WHEN SHE SANG THAT SONG ABOUT THE COUNTY
COUNCIL, HE FORGOT TO WAG HIS TAIL."]
Thus was Love blind, while Indifference in the person of Davie Brigg
looked its full through the mask that stood for the monster's head.
After a bit Jimmy conceived a mad envy of his superior's privileges;
he longed to see Sabra through the Dragon's mouth. He was so weary of
the little strip of stage under the Dragon's belly, which, even if he
peered through the breathing-holes in the patch of paint-disguised
gauze let into its paunch, was the most he could see. One night he
asked Davie to change places with him. Davie's look of surprise and
consternation was beautiful to see.
"Do I hear aricht?" he asked.
"Just for a night," said Jimmy, abashed.
Public-domain text, read in full here on John Shaqi.
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