The King's Mirror (Speculum regale-Konungs skuggsjá) — John Shaqi
The King's Mirror (Speculum regale-Konungs skuggsjá)
Philosophy
The King's Mirror (Speculum regale-Konungs skuggsjá)
Education of princes; Encyclopedias and dictionaries -- Early works to 1600; Scandinavia -- Civilization
See above, p. 48.
Footnote 149:
C. lxix.
In 1247, the year of Hakon’s coronation, the hierarchy was once more
reconciled to the monarchy, and nothing more is heard of ecclesiastical
pretensions during the remainder of the reign. It would seem that after
this reconciliation, no churchman, at least not one of the younger
generation, would care to send such a challenge as the _King’s Mirror_
out into the world. One of the older men, one who had suffered with
Sverre and his impoverished Birchshanks, might have wished to write such
a work even after 1247; but after that date the surviving followers of
the eloquent king must have been very few indeed, seeing that Sverre had
now lain forty-five years in the grave. It is therefore the writer’s
opinion, though it cannot be regarded as a demonstrated fact, that the
closing chapters of the _King’s Mirror_ were written after 1240, the
year when Duke Skule was slain, perhaps after 1243, in which year
Norwegian clericalism reasserted itself, but some time before 1247, the
year of Hakon’s coronation and final reconciliation with the church.
In the centuries following its composition the _King’s Mirror_ appears
to have had wide currency in the North. When the editors of the Sorö
edition began to search for manuscripts, they found a considerable
number, though chiefly fragments, in Norway and Iceland; and traces of
the work were also found in Sweden.[150] Thus far twenty-five
manuscripts have come to light; “some of them are extensive, but many
are fragments of only a few leaves.”[151] Copies of the work were made
as late as the reformation period and even later.
Footnote 150:
See the Sorö edition, pp. xxix-xxxvii.
Footnote 151:
_Konungs Skuggsjá_ (ed. G. T. Flom), p. i. Among the fragments is a
part of a Latin paraphrase made in Sweden in the first half of the
fourteenth century. The translator was a cleric in the service of the
Duchess Ingeborg, a daughter of the Norwegian King Hakon V. Ingeborg
was married to the Swedish Duke Erik. _Arkiv for nordisk Filologi_, I,
110-112.
Public-domain text, read in full here on John Shaqi.
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