Great Britain -- History, Naval -- 18th century -- Fiction; Nore Mutiny, 1797 -- Fiction
Mr and Mrs McElvina were not at home: they had walked to the vicarage;
and Seymour, who was very busy finishing a sketch of the _Aspasia_ for
his hostess, had declined accompanying them in their visit. His
surprise at finding a young lady in his arms, may easily be imagined;
but, great as was his surprise, his distress was greater, from the
extreme novelty of the situation. It was not that he was unaccustomed
to female society: on the contrary, his captain had introduced him
everywhere in the different ports of the colonies in which they had
anchored; and perhaps there is no better society, although limited, than
is to be met with at the table of a colonial governor, but here it was
quite different. He had been habituated to follow in the wake, as the
lady governess made sail for the dining-room, the whole fleet forming
two lines abreast in close order, and then coming to an anchor, in
beautiful precision, to attack the dinner, which surrendered at
discretion. He had been habituated to the ball-room, where the ladies
glided over the chalked floor, like so many beautiful yachts plying in
Southampton Water on a fine day: he had tired his rate of sailing down
the middle of a country dance with some fair partner; and tacked and
wore as required to the mazes of poussette and right and left. This was
all plain sailing; but the case was now quite different. Here was a
strange sail, who had not even shown her number, taken aback in stays,
and on her beam-ends in a squall.
Seymour knew nothing about fainting. Sometimes a man had fits on board
a ship (although invariably discharged when it was known); but the only
remedy, in a man-of-war, in such cases, was to lay the patient down
between the guns, and let him come-to at his own leisure. It was
impossible to act so in this case; and Seymour, as he bent over the
beautiful pale countenance of Emily, felt that he never could be tired
of holding her in his arms. However, as it was necessary that something
should be done, he laid her down on the sofa, and seizing the bell-rope,
pulled it violently for assistance. The wire had been previously
slackened, and the force which Seymour used brought down the rope
without ringing the bell. There was but one in the room: and, not
choosing to leave Emily, he was again compelled to rely on his own
resources. What was good for her? Water? There was none in the room,
except what he had been painting with, and that was desperately
discoloured with the Indian ink. Nevertheless, he snatched up his large
brush which he used for washing-in his skies, and commenced painting her
face and temples with the discoloured water; but without producing the
desired effect of re-animation.
Public-domain text, read in full here on John Shaqi.
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