Adventure stories; France -- History -- Louis XI, 1461-1483 -- Fiction; Paris (France) -- Fiction
Round the north-west of the smoking house we dashed, our horses' mouths
frothing even in that short furlong; round to the grey façade where
stood the great door flush with the huge stone pillars from which it
hung.
"Babette!" I called out as we pulled up, "Babette! Babette! Where are
you, Babette?"
"Jan Meert!" cried Martin. "Lord God! Give me Jan Meert! What
matters Babette? There are a thousand Babettes, a thousand, but only
one Solignac, and--heavens of grace! See there!"
I saw, but because I saw, I answered nothing. Babette? At the sight
of Jan Meert's work I had forgotten Babette even while her name was on
my lips. I would not give a fig for the patriotism of the man who does
not hold his father's house dearer even than his country. In it every
stick and stone is sacred, hallowed not alone by many a tradition, but
by a thousand personal memories. Since the Lord God had taken my
mother to Himself Solignac had been the one dearest thing in life, and
behind the door that hung fretting on wrenched hinges Solignac lay in
profanation, its great square hall a heaped mass of reeking filth. Not
much was visible, but through the reeling uprights there showed a
suggestion of charred beams, rent furnishings, and half-burnt tapestry
strewn and scattered through with rubble from the upper walls; no! not
much, but enough! How ruthless would be the destruction, how
irreparable the ruin, when a casual clouded glance through sluggish
smoke could tell so vile a tale!
Dismounting, we knotted our reins together and turned the horses loose.
Blown as they were, they might be trusted not to stray, nor, so
soundless was Solignac, its silence broken only by the crackle of fire
or the rasp of wood on wood as the wreckage settled down, was there
need to provide a way of escape. Jan Meert was no longer to be feared.
He had done his worst, and moved on to other mischief.
At the threshold we paused, striving to measure that worst and failing
miserably. It was like death, and who, in the first numbness of his
sorrow, can weigh death in a balance to appraise the loss, or reckon up
the sum of its significance? The method of devastation we could
understand, but not the measure of its effects, and the thoroughness,
the grim malignancy of the method appalled me.
It was Martin who first made the process clear. As I have said, he had
seen war, and much of what was hidden from my ignorance was plain to
his experience.
Public-domain text, read in full here on John Shaqi.
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