"If I were you, Alfred, I should fight for my place in the procession,
if necessary," he remarked. "Fight for your place, if necessary, my
boy! After all, you are young, and they have just given you--promotion.
I have a shrewd suspicion that you would not be satisfied, for long,
by the view from our window, in the quiet, old-fashioned, inn of
'Content.' You would soon want to alter the signboard inscription,
I fancy. An occasional glance through the window is all very well.
It is restful. It serves its purpose. But a taste for the stir,
the bustle, the jostling, and the dust and the clamour, in the
market-place, is pretty deeply implanted in all of us. To be in the
movement! It is, almost, the universal disease. A man, who is a man,
a young man, wants to be in the thick of things, in the hurly-burly,
in the street below. What is there for him in a window view? Fight for
your place, if necessary, my boy! And, if you decide to fight, fight
with a good grace, and with all your heart. It is the half-hearted
men, it is the half-hearted women, who fail. The best places in the
procession--whether they are at the head or the tail, and where the
head and the tail are, who knows?--like the best seats at the inn
windows, in the background, fall to the men, fall to the women, who
know what they want, who know their own mind.
"But, now, I must walk!"
And with that, and with no other leave-taking, Uncle Bond swung round
abruptly, and set off, with surprising swiftness, for so small, and so
corpulent a man, straight back along the road.
Automatically, the King restarted the car.
Then he turned in his seat, to wave his hand, in farewell, to Uncle
Bond.
But Uncle Bond did not look round.
The King glanced at his watch. It was already half past seven. He had
a good deal of time to make up. But he could do it. He opened out the
car, now, to its fullest extent. The powerful engine responded, at
once, to his touch, and the car shot forward--out of Paradise into
Hades!
For once the King was unconscious of this transition. He was thinking
of the procession, of Uncle Bond, of Judith, and of himself; their
seats at the inn window; his place in the files. Must the whole width
of the market-place always lie between them? Must it always be only
occasionally, and with some risk--the risk he was running now--that he
stepped out of the procession, and slipped, secretly, into the quiet
"inn of Content," to look through their window, to stand, for a few
moments, at their side? They were in the background. He was at the head
of the procession. At the head? Who knew, who could say, where the head
or the tail was? Was the band playing--somewhere? He had never heard
it. Would he tire of the window view--soon? Was he not tired already,
of his place in the files?
Public-domain text, read in full here on John Shaqi.
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