The library was almost too large, and too lofty a room to be
comfortably habitable. Worse still, in spite of its south aspect, and
its row of tall windows, the eight or nine thousand volumes, which
filled the wire fronted bookcases, which ran round two sides of the
room, it always seemed to the King, gave it a dead and musty air. These
books were for show, not for use. No one ever took them down from the
shelves. No one ever read them. The erudite, silver-haired, palace
librarian, himself, was more concerned with the rarities amongst them,
and with his catalogue, than with their contents. But the books, musty
monuments of dead men's brains, as he regarded them, were not the
King's chief complaint. A number of Family portraits, which usurped the
place of the bookcases, here and there, on the lofty walls, were his
real grievance. A queer feeling of antagonism had grown up between him
and these portraits. They always seemed to be watching him, watching
him, and disapproving of him. The mere thought of them sufficed to
check his good spirits, now, as he entered the library. As he sat down
at his writing table, he turned, and looked round at them defiantly.
The writing table stood as close up to the row of tall windows, on
the south side of the library, as was possible. The windows, with
their pleasant view of the sunlit greenness of the garden, were on the
King's left, as he sat at the table. Straight in front of him were the
undecorated, black oak panels of the folding doors which led into the
secretaries' room. On his right on the north wall of the library, were
many of the books, and three of the portraits.
Public-domain text, read in full here on John Shaqi.
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