The Kingdom of Slender SwordsRives, Hallie Erminie
History
The Kingdom of Slender Swords
Rives, Hallie Erminie
East and West -- Fiction; Japan -- History -- Meiji period, 1868-1912 -- Fiction
At intervals a player muttered an impatient exclamation or gave a
monosyllabic order to the stolid Japanese servant who passed
noiselessly, deftly replenishing glasses. Through all ran the droning
buzz of bees in the wistaria, the recurrent rustle of the metal wheel,
the nervous click of the rolling marble and the shuffle and thud of the
ivory disks on the green baize. All at once the marble blundered into
its compartment and one of the gamesters burst into a boisterous laugh
of triumph.
As the sudden discord jangled across the silence, the big man in the
arm-chair started half round, his lips twitched and a spasm of something
like fright crossed his face. The glass at his elbow was empty, but he
raised it and drained air, while the ice in it tinkled and clinked. He
set it down and wiped his lips with a half-furtive glance about him, but
the curious agitation had apparently been unnoted, and presently his
face had once more regained its speculative, slightly sardonic
expression.
Suddenly a distant gun boomed the hour of sunset. At the same instant
the marble ceased its erratic career, the wheel stilled and the youngest
of the gaming trio and the master of the place--Philip Ware, a graceful,
shapely fellow of twenty-three, with a flushed face and nervous
manner--pushed the scattered counters across the table with shaking
fingers.
"My limit to-day," he said with sullen petulance, and flipping the
marble angrily into the garden below, crossed to a table and poured out
a brandy-and-soda.
Daunt's gray eyes had been looking at him steadily, a little curiously.
He had known him seven years before at college, though the other had
been in a lower class than himself. But those intervening years had left
their baleful marks. At home Phil had stood only for loose habit, daring
fad, and flaunting mannerism--milestones of a career as completely
dissolute as a consistent disregard of conventional moral thoroughfares
could well make it. To Yokohama he was rapidly coming to be, in the eyes
of the censorious, an example for well-meaning youth to avoid, an
incorrigible _flanêur_, a purposeless idler on the primrose paths.
"Better luck next time," said one of the others lightly. "Come along,
Larry; we'll be off to the club."
The older man rose to depart more deliberately, his great size becoming
apparent. He was framed like a wrestler, abnormal width of shoulder and
massive head giving an effect of weight which contrasted oddly with
aquiline features in which was a touch of the accipitrine, something
ironic and sinister, like a vulture. His eyes were dappled yellow and
deep-set and had a peculiar expression of cold, untroubled regard. He
crossed to the farther side and looked down.
"What a height!" he said. "The whole harbor is laid out like a
checker-board." He spoke in a tone curiously dead and lacking in
_timbre_. His English was perfect, with a trace of accent.
Public-domain text, read in full here on John Shaqi.
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