The Kingdom of Slender SwordsRives, Hallie Erminie
History
The Kingdom of Slender Swords
Rives, Hallie Erminie
East and West -- Fiction; Japan -- History -- Meiji period, 1868-1912 -- Fiction
Barbara had found herself singularly conscious of a feeling of universal
good-nature. It came to her even in the posture of the resting coolies,
stretched at the side of the quay, lazily sunning themselves, with
whiffs of the omnipresent little pipe, and in the faces of the
bare-legged _rick'sha_ men, with round hats like bobbing mushrooms, arms
and chests glistening with sweat, and thin towels printed in black and
blue designs tucked in their girdles. She smiled at them, and they
smiled back at her with that unvarying smile which the Japanese of every
caste wears to wedding and to funeral. She even caught herself patting
the tonsured head of a preternaturally solemn baby swaddled in a
variegated _kimono_ and strapped to the back of a five-year-old boy.
The _rick'sha_ ride to the _stenshun_ (for so the Japanese has adapted
the English word "station") was a moving panorama of strange high lights
and shades, of savory odors from bake-ovens, of open shop-fronts hung
with gaudy figured crape, or piled with saffron _biwa_, warty purple
melons, ebony eggplant, shriveled yellow peppers and red Hokkaido
apples, of weighted carts drawn by chanting half-naked coolies, and
swiftly gliding victorias of Europeans. From a hundred houses in the
long, narrow streets hung huge gilded sign-boards, painted with
idiographs of black and red. At intervals the tall stone front of a
foreign business building looked down on its neighbors, or a tea-house
towered three stories high, showing gay little verandas on which stood
pots of flowers and dwarf trees; between were smaller houses of frame
and of cement, and thick-walled _go-downs_ for storing goods against
fire.
Here and there, from behind a gateway of unpainted wood, showing a
delicate grain, a pine thrust up its needled clump of green, or a
cherry-tree flung its pink pyrotechnics against the sky's flood of
dimming blue and gold. At a crossing a deformed beggar with distorted
face and the featureless look of the leper, waved a crutch and wheedled
from the roadside, and a child in dun-colored rags, unbelievably agile
and dirty, ran ahead of Barbara's _rick'sha_, prostrating himself again
and again in the dust, holding out grimy hands and whining for a _sen_.
In the side streets Barbara could catch glimpses of bare-breasted women
sitting in shop doors nursing babies, and children of a larger growth
playing Japanese hopscotch or tossing "diavolo," the latest foreign toy.
When the _rick'sha_ set them down at the station she felt bewildered,
yet full of exhilaration. As they drew up at its stone front, a porter
with red cap and brass buttons emerged and began to ring a heavy bell,
swinging it back and forth in both hands. The bishop bought their
tickets at a little barred window bearing over it the sign: "Your
baggages will be sent freely in every direction."
Public-domain text, read in full here on John Shaqi.
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