The Kingdom of Slender SwordsRives, Hallie Erminie
History
The Kingdom of Slender Swords
Rives, Hallie Erminie
East and West -- Fiction; Japan -- History -- Meiji period, 1868-1912 -- Fiction
They were crossing flooded rice-fields now, like gigantic crazy
checker-boards, and the air was musical with the low, chirring chorus of
frogs. Shades of orange light played over the marshes, bars of rape
braided them with vivid yellow, and on the narrow, curving partitions
between the burnished squares, round stacks of garnered straw stood like
crawfish chimneys. Amid them peasants worked with broad-bladed mattocks,
knee-deep in mud. They were blue clad, with white cloths bound about
their heads, and some had sashes of crimson. Here and there, naked to
the thighs, a boy trod a water-wheel between the terraced levels. At
intervals a refractory rock-hillock served as excuse for a single
twisted pine-tree shading a carved tablet to some _Shinto_ divinity, or
a steep bluff sheltered a tiny shrine of unpainted wood; and all along
the way, shining canals drew silver ribbons through the paddy-fields,
and little arrowy flights of birds darted hither and thither.
Occasionally they passed small, neat stations, each with its white
sign-boards bearing long liquid names in English, and queer Japanese
characters. Opposite one, on a sloping hill that was a mass of deep
glowing green, Patricia pointed out the peaked roofs of a cluster of
temples, the shrine of some century-dead Buddhist saint. Barbara began
to realize that these fields through which this modern train was gliding
were old Japan, that in those blue hills had been nurtured the ancient
legends she had read, of famous two-sworded _samurai_, of swaggering
bandits and pleasure-loving _shogun_, and of tea-house _geisha_ who
danced their way into _daimyo's_ palaces. The spell of the land, whose
sheer beauty had thrilled her on the ship, drew her closer with the
threads of memories almost forgotten.
Its contrasts were wonderful. They spoke of primary and unmixed
emotions, that lisped themselves through the fading golden sunlight, the
moist, dreamy air, the graceful outlines of roof and tree. In the west
the sun was declining toward a range of hills jagged as the teeth of a
bear. Their tops were pale as cloud and their bases melted into an ebony
line of forest. The plain below was a winey purple, with slashes of red
earth gorges like fresh wounds, and one side had the cloudy color of
raspberries crushed in curdled milk. The farther range seemed a part of
a far-off painted curtain, tinted in pastels, and high above a milky
cloud floated, curling like a lace scarf about the opal crest of Fuji,
mysteriously blue and dim as an Arctic summer sea.
Public-domain text, read in full here on John Shaqi.
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