The Kingdom of Slender SwordsRives, Hallie Erminie
History
The Kingdom of Slender Swords
Rives, Hallie Erminie
East and West -- Fiction; Japan -- History -- Meiji period, 1868-1912 -- Fiction
She looked at him with sudden eagerness, for of his own accord he had
never before spoken to her of her dead father. The latter had always
seemed a very real personage, but how little she knew about him! The
aunt who had brought her up--her mother's sister--had never talked of
him, and her uncle she had seen but twice since she had been old enough
to wonder. But, little by little, gleaning a fact here and there, she
had constructed a slender history of him. It told of mingled blood, a
birthplace on a Mediterranean island and a gipsy childhood. There was a
thin sheaf of yellowed manuscript in her possession that had been left
among her mother's scanty papers, a fragment of an old diary of his.
Many leaves had been ruthlessly cut from it, but in the pages that were
left she had found bits of flotsam: broken memory-pictures of his own
mother which had strangely touched her, of a bitter youth in England and
America overshadowed by the haunting fear of blindness, of quests to
West-Indian cities, told in phrases that dripped liquid gold and
sunshine. The voyage to Japan had been made on the same vessel that
carried her uncle, and they two had thus become comrades. The latter had
been an enthusiastic young missionary, one of a few chosen spirits sent
to defend a far field-casement thrown forward by the batteries of
Christendom. His sister had come out to visit him and a few months later
had married his friend.
Such was the story, as Barbara knew it, of her father and mother--a love
chapter which had soon closed with a far-away grave by the Inland Sea.
Her fancy had made of her father a pathetic figure. As a child, she had
dreamed of some day placing a monument to his memory in the Japanese
capital. She possessed only one picture of him, a tiny profile
photograph which she wore always in a locket engraved with her name. It
showed a dark face, clean-shaven, finely chiseled and passionate, with
the large, full eye of the dreamer. She had liked to think it looked
like the paintings of St. John. Perhaps this thought had caused the
projected monument to take the form of a Christian chapel. From a
nebulous idea, the plan had become a bundle of blue-prints, which she
had sent to her uncle, with the request that he purchase for her a
suitable site and begin the building. He had done this before his visit
to America and now the Chapel was completed, save in one particular--the
memorial window of rich, stained-glass stowed at that moment in the
ship's hold. The bishop had not seen it. From some feeling which she had
not tried to analyze, Barbara had said nothing to him of the Chapel's
especial significance. Now, however, at his unexpected reference, the
feeling frayed, and she told him all of her plan.
He gazed at her a moment in a startled fashion, then looked away, his
hand shading his eyes. When she finished there was a long pause which
made her wonder. She touched his arm.
"You were very fond of father, weren't you?"
Public-domain text, read in full here on John Shaqi.
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