The Kingdom of the Yellow Robe: Being Sketches of the Domestic and Religious Rites and Ceremonies of the SiameseYoung, Ernest
Religion
The Kingdom of the Yellow Robe: Being Sketches of the Domestic and Religious Rites and Ceremonies of the Siamese
Young, Ernest
Thailand -- Religious life and customs; Thailand -- Social life and customs
The harvest-festival ceremonies are of Brahminical origin and are
known to the people under the name of "Lo Ching Cha". The first word
"Lo" means "to pull"--"ching cha" is "a swing". The place where the
"Swinging Festival" is held is inside the city walls. It is a small
green lawn situated opposite to a very large temple, and on the edge
of a very busy thoroughfare. For three hundred and sixty three days
in each year, there is nothing, except the huge pillars of the swing,
to draw one's attention to the spot. A few boys playing football or
flying kites, a few old women squatting down for a little gossip, or
a few Malay grooms with their masters' ponies are the usual everyday
occupants of the spot. On the other two days of the year, when the
harvest festival is held, every inch of available space is occupied.
The native children, unable to see over the heads of the men and
women when they are upon the ground, quickly mount the neighbouring
walls, and perch themselves in the branches of the trees, or cling,
like monkeys, to every lamp-post and telegraph pole within sight
of the proceedings. The thoroughfares leading to the place are
blocked with innumerable carriages and rickshaws. The crowd is an
exceedingly good-tempered one, and brawling of any kind is very
unusual. The distant sound of a military band heralds the approach
of another of those processions so dear to the heart of the Siamese.
The procession passes through the dense crowd without any trouble,
for the people willingly fall back so as not to impede its progress.
Strangely coloured banners bearing quaint devices, flutter above the
heads of the crowd. A modern military band plays "Marching through
Georgia," while an ancient band in tattered vermilion garments with
yellow trimmings, bangs curious drums, and pierces the air with the
penetrating shrieks of long brass trumpets. The tom-tom and the gong
join in the general uproar. The crowd sways to and fro, striving
to catch a glimpse of the barefooted soldiers in their brilliant
uniforms, or of the numerous articles borne in the procession to
indicate the nature and meaning of the festivities. Decorated
buffaloes dragging decorated carts, bundles of rice, offerings of
fruit and flowers, are all evidences of the thankfulness of the people
for the safe ingathering of their harvests.
[Illustration: BUFFALOES RETURNING FROM THE RICE-FIELDS.]
Public-domain text, read in full here on John Shaqi.
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