The Kingdom of the Yellow Robe: Being Sketches of the Domestic and Religious Rites and Ceremonies of the SiameseYoung, Ernest
Religion
The Kingdom of the Yellow Robe: Being Sketches of the Domestic and Religious Rites and Ceremonies of the Siamese
Young, Ernest
Thailand -- Religious life and customs; Thailand -- Social life and customs
centre of the roof hangs a circular awning, from which long strips of
crape, white silk, and cloth of gold are carried to the four corners
of the pramane. The eight-sided pyramid is the resting-place of the
urn, and has a special canopy of cloth of gold. Floral wreaths and
other decorations, made with marvellous skill and taste, are displayed
in every available spot, while bits of glass and porcelain adorn the
pillars and reflect the light of the sun by day, and of the torches
and lamps by night. After sunset a general illumination of the whole
place occurs. It is produced by thousands of torches, oil lamps and
Chinese lanterns.
At dawn, on the first day of the celebration of the funeral rites,
the corpse is taken in a car to the scene of the ceremonies. The
first carriage in the sad procession is occupied by the high priest.
As it moves slowly along, he reads from the Buddhist scriptures the
passages on death, and fixes his thoughts upon the fleeting nature of
this earthly life. The second carriage contains the favourite children
of the deceased monarch, while the third is the funeral car. The
high priest holds in his hands, pressed closely against the sacred
book, one end of a long strip of silver ribbon. The ribbon is carried
backwards, passes through the hands of the children, and is fastened
at the other end to the golden urn which contains the remains. As
the priest reads, holy influences pass from the sacred words through
the ribbon to the living bodies of the children and the dead body of
their royal father. Other carriages follow the funeral car, one of
which contains sticks of fragrant wood, with gilded ends--the fuel
for the burning. Another is filled with representations of fabulous
animals made in bamboo and covered with tinsel. The head and tail of
the funeral procession are formed by the white-robed Brahmins in their
usual conical hats. The throbbing of the death-drums falls upon the
ear with a dull regular boom, boom, boom.
On arriving at the Pramane, the urn is placed upon the pagoda, there
to remain for seven days. The silver ribbon is fastened in the middle
to the urn, and at the ends to the east and west sides of the room,
thus indicating the path traversed by the sun in his daily round,
and symbolising the life of man in its passage from the cradle to
the grave. The priests assemble in great numbers to recite stanzas
bearing upon life and death, and upon the mysteries of Nirvana and the
hereafter. When their recitations are finished, they sit for a little
while, with bent heads, in silent meditation upon the things they have
spoken. They retire for a time, but return a few hours later to repeat
their solemn chants.
Public-domain text, read in full here on John Shaqi.
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