The day closes with great merriment. Old friends tell their own experiences or those of their children on similar occasions; invitations to forthcoming ceremonies are given and accepted; every one feasts and smokes, and then a theatrical performance takes place that lasts long into the small hours of the morning. The whole ceremony is now a complex mixture of both Buddhist and Brahminical rites, but there is very little difference between the parts enacted by the priests of Buddha and those of Brahma. The Brahminical priests, however, have a special set of chants of their own, and these they repeat during the first day's ceremonies. The object of their prayers is to entreat a number of their own supernatural beings to grant their approval of all that is being done. They appeal to the Devas, and to Siva sitting on his porpoise. They cry to Vishnu as he rides on the back of the serpent king in an ocean of milk; to the four-armed Brahma on his golden swan; to the god of the winds riding swiftly in his chariot of clouds; and to Indra on his wonderful elephant with the three and thirty heads. They recall to the minds of these deities the past existences of the tonsorial candidate. They remind them of the good actions he has previously performed, and wind up with a powerful and poetic appeal that they will combine to endow the subject of their prayers with a long and prosperous existence. On the morning of the third day, when the actual cutting will take place, the monks arrive at a very early hour, before the sun has risen, but no gong tells of their arrival, nor is any noise of any description permitted, as the spirits of ill must not be awakened or allowed to know that this is the day of the great event. The priests take their breakfast in silence, no band accompanying their repast, with its joyful strains. As the hour of dawn approaches, the Brahmins lead in the child. As the particular moment, foretold by the astrologers, draws near, the Buddhist priests sing songs to Buddha, using the Pali, a language which is not understood by the people, relating his many triumphs, and by judicious praise securing his approval. These songs are thought to be extremely efficacious in procuring for the child an abundance of good luck in the future. While the singing is taking place, the top-knot is divided into three locks, each lock being then fastened at the ends. Amulets are placed in them, and every precaution is taken to carry out the final act of this, the most important, stage of this important rite, with the strict observance of the minutest detail. Any deviation from the prescribed mode of procedure would be fatal to its success. The chanting continues until the actual moment has arrived when the hair must be severed from the head. At the very moment the chants end, the gongs are beaten, and the guest of highest rank takes up the gold-encrusted scissors and quickly snips off one of the three locks.