It would be easy, no doubt, to draw from this sketch of ancient manners many reflections consoling to our own sense of superior comfort and discernment. But the subject is susceptible of being viewed under aspects not so flattering yet more instructive. Who is there gross enough to pride himself on superior wisdom because Kepler believed that the earth was a vast animal which breathed and reasoned, or to claim the palm of comparative merit because Sir Thomas More listened to the babbling of a pretended prophetess, and Luther waged what he considered no visionary but actual combats with the powers of darkness. If then we have dwelt on the defects of an age when civilization was still struggling with the remains of barbarism, it is to foster no spirit of vain exultation: it is rather to turn with increased pleasure from those stains which disfigure the picture, to the contemplation of the more prominent and brilliant figures which occupy the fore-ground. We remember that upon times thus backward in many of the refinements of life, and scarcely yet freed from the dregs of medi-oeval darkness, genius and virtue have thrown a lustre by their presence, not merely sufficient to retrieve them from our scorn, but to make them in some respects the object of our admiration and even envy. Perhaps, if it were submitted to our choice to take our places at will in any circle which genius and merit have ever dignified and adorned, none could justly claim our preference over that of Penshurst, at the time when Sir Philip Sydney sate there in the same group with his lovely sister, the Countess of Pembroke, and with Edmund Spenser, the poet of 'the Faerie Queen.' Of the first of these eminent persons, it is enough to say, that his own age conceded to him the style of 'the Incomparable,' and that posterity has amply ratified the title. The second is known to us by that affectionate tribute of her brother's love, which has identified the name of the Countess of Pembroke with his principal work; nor will the latest readers of English literature be forgetful of one whose memory Jonson has embalmed in the sweetest inscription that ever flowed from a poet's pen. Of Spenser, the last but not least illustrious of the honored group, it is only necessary to say, that as he shared the hospitality, so he has not left unsung the praises of Penshurst. Where is the circle which shall again combine so many claims to our admiration and respect? What age shall presume to vaunt itself for genius or for virtue above the age of Sydney and of Spenser?