With many defects, incident to a first attempt at fictious narration, these volumes exhibit undeniable talent, and still more promise. They have been written, it seems, in haste; though this excuse would be hardly valid, save in consideration of the fact, that the young author, momentarily expecting to be ordered to sea, was hence compelled to hasten their publication. The common faults of a first production, it must be admitted, are sufficiently apparent; among the more prominent of which, may be mentioned the want of a natural order of progression, the liberal introduction of matters not correlative to the story proper, and an occasional carelessness of language. But these blemishes are well atoned for, by a general freedom of delineation, both of character and events, so easy and natural, that it often requires no stretch of the imagination to fancy the volumes actually alive, and talking with the reader. All who have read 'Jack Marlinspike's Yarn,' heretofore published in these pages, and introduced episodically in the work before us, will not need to be told, that our author has an unvarnished way of delivering his sentiments, whatever they may be, through his various characters; and this, in our judgment, constitutes an agreeable feature of the work. We had rather encounter occasional nervous inelegance of expression, and even a slight assault and battery upon Priscian, now and then, than the affectation of big words and fustian phrases, or the precise and prime sententiousness which many of our modern authors so much affect. We shall not attempt to trace the involutions and denouément of the story, since we lack both time and space for the purpose, and moreover, are unwilling to rob the labors of a new candidate for public favor of the strong interest of curiosity; but shall endeavor to present a sort of running commentary upon the principal features of the work. We like our author better afloat than on shore. He is at home on the ocean; and some of his ship-board pictures strongly remind us of the kindred sketches of COOPER and MARRYAT, or LEGGETT, who is in no respect behind either in the power of graphic description. We subjoin an elaborate etching, which will exemplify the justice of our praise: