The Knickerbocker, Vol. 22, No. 1, July 1843 — John Shaqi
The Knickerbocker, Vol. 22, No. 1, July 1843Various
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The Knickerbocker, Vol. 22, No. 1, July 1843
Various
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stamped his feet, and went raving round the old mill, which we tried
to enter, but the doors were locked. Then getting upon a pile of
mill-stones he gazed wistfully into all quarters of the horizon, and
raising his trumpet voice as if he had been among the very huts of
New-Guinea, called upon the delinquents, Sam and Jim. Still no human
being appeared to offer assistance, and echo only answered 'Sam and
Jim.' The sun began to appear well above the horizon, the tide was
on the ebb; if a little more time were lost, it would be impossible
to get over the bar, and return by night-fall. The miller's house
stood near, whither we immediately hastened, and having aroused him
by a volley of kicks against his door, asked his ghostly advice
about an expedition into the bay. Joe Annis thanked us in language
not very flowery for breaking his slumbers, and then telling us
that his two boats, the 'Spasm' and 'Paroxysm,' (so named by some
country doctor in that vicinity,) were a little way down creek, and
that we might take either one, and row ourselves out, drew in his
powdered head. Difficulties only serve to quicken the energies of
men of nerve. '_Courage! courage! mon ami!_' exclaimed my friend,
wagging his haunches in the direction of the wharf in a great hurry.
Tertullian was for ever speaking French and Latin. The first was
tolerable, as far as it went, which was to the end of a very small
vocabulary; but for the latter, Erasmus help us! it was of the
canine species, except some few phrases, very pure, drawn right out
from the body of the Roman authors. Of the latter was _Quid agis?_
'What are you about there? What are you doing--in the stern of the
boat? _Ohe! jam satis!_ Come, no more of your fun. _Dic, age tibia._
Wake up, and tune your pipes.' But then, the melancholy, barbarian
ages succeeding, '_Miror quid diabolus faciemini sine Sam et Jimmo!_'
Public-domain text, read in full here on John Shaqi.
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