The Knickerbocker, Vol. 22, No. 3, September 1843 — John Shaqi
The Knickerbocker, Vol. 22, No. 3, September 1843Various
General
The Knickerbocker, Vol. 22, No. 3, September 1843
Various
Periodicals
She uttered a stifled sob, trembled from head to foot, and suddenly,
with a painful exertion, started to a sitting position. The old
man, thinking she had awoke, glided behind the bed-curtains to
conceal himself from her view; but without opening her eyes, she
remained for some moments immovable in the position she had assumed.
Gradually the changes in her countenance betokened those of her
thoughts; the terror impressed upon her features gave place to an
expression of contemplation, which in turn changed to one of anxious
and profound attention. At length, as if the excitement of her
nerves had reached the degree of intensity at which the phenomena of
somnambulism commence, bending her head, as if to catch some distant
sound, she suddenly arose, threw over her shoulders a night-robe,
and gliding on tip-toe, cautiously approached the window.
'Midnight!' said she, in a low tone; 'there is not a drop of blood
in my veins; the wall is so high! Should he fall! Hark! I hear him
in the garden. How loudly he walks! It is the gravel they have put
upon the paths. Oh! this is, this _must_ be, the last time: I shall
tell him so. This fear is worse than death!'
With a precision in her movements manifesting that internal
clairvoyance, of which science has not yet offered us a satisfactory
explanation, the somnambulist, whose eye-lids were still closed,
extinguished the night-lamp and drew the bolt of the door. She
then drew aside the curtains, and opened the window, without the
slightest sound reaching the ears of her husband, who a few paces
behind her followed this pantomime with looks of sullen fury. She
next took from her work-box a long riband, which she unrolled
from the window, until it might be supposed to touch the ground;
a moment afterward she drew it in, and made a movement as if she
were attaching the hook of a rope-ladder to the balcony. Then,
breathless and palpitating, she withdrew into the interior of the
chamber. Suddenly she opened her arms, and threw them around an
imaginary being, murmuring in impassioned tones, 'My life! my life!'
She embraced but empty space, and remained for some time as if
confounded, with arms crossed upon her bosom.
'Arthur!' cried she at length, aloud, and rushed in a wild paroxysm
of terror toward the balcony. The feeble hands of her husband found
strength for the moment to hold her back.
Public-domain text, read in full here on John Shaqi.
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