In a small chamber of the ground-floor, whose curiously groined roof and
richly stained window showed that its occupancy had once been held
by those in station above the common, now sat two persons at a
well-garnished table, while before them, on the wide hearth, blazed a
cheerful fire of bog deal. On either side of the fireplace was a niche,
in which formerly some saintly effigy had stood, but now--such are
Time's chances--an earthenware pitcher, with a pewter lid, decorated
each, of whose contents the boon companions drank jovially to each
other. One of these was a short, fat old fellow of nigh eighty years;
his bowed legs and wide round shoulders the still surviving signs of
great personal strength in days gone by; his hair, white as snow, was
carefully brushed back from his forehead, and tied into “queue” behind.
Old as he was, the features were intelligent and pleasing, the hale and
hearty expression of good health and good temper animated them when
he spoke, nor were the words the less mellow to an Irish ear that they
smacked of the “sweet south,” for Tate Sullivan was a Kerry man, and
possessed in full measure the attributes of that pleasant kingdom; he
was courteous and obliging, faithful in his affections, and if a bit
hasty in temper, the very first to discover and correct it. His failing
was the national one,--the proneness to conceal a truth if its
disclosure were disagreeable: he could not bring himself to bear bad
tidings; and this tendency had so grown with years that few who knew his
weakness could trust any version of a fact from his lips without making
due allowance for blarney.
[Illustration: 051]
For eight-and-forty years he had been a butler in the Knight's family,
and his reverence for his master went on increasing with his years;
in his eyes he was the happy concentration of every good quality of
humanity, nor could he bring himself to believe that his like would ever
come again.
Opposite to him sat one as unlike him in form and appearance as he was
in reality by character: a gaunt, thin, hollow-cheeked man of sixty-six
or seven, rueful and sad-looking, with a greenish gray complexion, and a
head of short, close gray hair, cut horseshoe fashion over the temples,
his long thin nose, pointed chin, and his cold green eye only wanted
the additional test of his accent to pronounce him from the North. So it
was, Sandy M'Grane was from Antrim, and a keener specimen of the “cold
countrie” need not have been looked for.
Public-domain text, read in full here on John Shaqi.
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