He had scarcely, with careful hand, closed the door behind him, when,
looking over the balustrades of the gallery, he beheld a figure moving
slowly along in the great apartment beneath, guided by a small lamp,
which threw its uncertain light rather on the wall than on the form of
him who carried it. Suddenly stopping before one of the large portraits
which in a long succession graced the chamber, the light was turned
fully round, so as to display the broad and massive features of old Tate
Sullivan. Curious to ascertain what the old man might be about in such
a place at such an hour, Daly extinguished the candle to watch him
unobserved. Tate was dressed in his most accurate costume: his long
cravat, edged with deep lace, descended in front of his capacious white
waistcoat; silver buckles, of a size that showed there was no parsimony
of the precious metal, shone in his shoes; and his newly powdered wig
displayed an almost snowy lustre. His gestures were in accordance with
the careful observances of his toilet; he moved along the floor with a
slow, sliding step, bowing deeply and reverentially as he went, and with
all the courtesy he would have displayed if ushering a goodly company
into the state drawing-room.
Bagenal Daly was not left long to speculate on honest Tate's intentions;
and although to a stranger's eyes the motives might have seemed strange
and dubious, the mystery was easily solved to him, who knew the old man
well and thoroughly. He was there to take a last look, and bid farewell
to those venerable portraits, who for more than half a century were
enshrined in his memory like saints. Around them were associated all the
little incidents of his peaceful life; they were the chroniclers of his
impressions in boyhood, in manhood, and in age; he could call to mind
the first moments he gazed on them in awe-struck veneration; he could
remember the proud period when the duty first devolved upon him of
describing them to the strangers who came to see the abbey; in the
history of all and each of them he was well read, versed in their noble
achievements, their triumphs in camp or cabinet. To his eyes they formed
a long line of heroic characters, of which the world had produced no
equal; they realized in his conception the proud eulogy of the Bayards,
“where all the men were brave, and all the women virtuous;” and it is
not improbable that his devotion to his master was in a great measure
ascribable to that awe-struck admiration with which he regarded his
glorious ancestors.
Public-domain text, read in full here on John Shaqi.
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