The old man stood, and, holding the lamp above his head, gazed in
respectful admiration at the grim figure of a Knight in armor. There
might have been little to charm the lover of painting in the execution
of the picture, and the mere castle-builder could scarcely have indulged
his fancy in weaving a story from the countenance of the portrait, for
the vizor was down, and he stood in all the unmoved sternness of his
iron prison, with his glaived hands elapsed upon the cross of a long
straight sword. Tate gazed on him for some moments. Heaven knows with
what qualities of mind or person the old man had endowed him, for while
to others he was only Sir Gavin Darcy, first Knight of Gwynne, Tate in
all likelihood had invested him with traits of character and appearance,
of which that external shell was the mere envelope.
“We're going, Sir Gavin,” muttered the old man, as if addressing the
portrait; “'tis the ould stock is laving the place, never to see it
more; 't is your own proud heart will be sorry to-day to look down upon
us. Ah, ah!” muttered he, “the world is changed; there was times when a
Darcy would n't quit the house of his fathers without a blow for it--aud
they say we are better now!” With a heavy sigh he passed on, and stood
before the next picture. “Yes, my Lady,” said he, “ye may well cry that
lost the two beautiful boys the same morning, fighting side by side; but
there's heavier grief here now: the brave youths sleep in peace and in
honor; but we have no home to shelter us!”
With a slow step and bent-down head, he tottered on, and, placing the
lamp upon the floor, crossed his arms upon his breast. “'Tis you that
can help us now,” said he as he cast a timid and imploring glance at the
goodly countenance and rotund figure of Bernhard Emmeric, fourth Abbot
of Gwynne; “'tis your reverence can offer a prayer for your own blood
that's in sore trouble and distress. Do it, my Lord; do it in the name
of the Vargin. Smiling and happy you look, but it 's sorrowful your
heart is in you to see what's going on here. Them, them was the happy
days, when it was n't the cry of grief was heard beneath this roof, but
the heavenly chants of holy men, and the prayers of the blessed mass.”
He knelt down as he said this, and with trembling lips and tearful eyes
recited some verses from his breviary.
This done, he arose, and, as if with renovated courage, proceeded on his
way.
Public-domain text, read in full here on John Shaqi.
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