I had no presumption to imagine I could throw any new light on the
history of the period, or illustrate the story of the measure by any
novel details; but I thought it would not be uninteresting to sketch the
era itself; what aspect society presented; how the country gentleman of
the time bore himself in the midst of solicitations and temptings the
most urgent and insidious; what, in fact, was the character of that man
whom no national misfortunes could subdue, no Ministerial blandishments
corrupt; of him, in short, that an authority with little bias to the
land of his birth has called,--_The First Gentleman of Europe_.
I know well, I feel too acutely, how inadequately I have pictured what I
desired to paint; but even now, after the interval of years, I look
back on my poor attempt with the satisfaction of one whose aim was not
ignoble. A longer and deeper experience of life has succeeded to the
time since I wrote this story, but in no land nor amongst any people
have I ever found the type of what we love to emblematize by the word
Gentleman, so distinctly marked out as in the educated and travelled
Irishman of that period. The same unswerving fidelity of friendship, the
same courageous devotion to a cause, the same haughty contempt for all
that was mean or unworthy; these, with the lighter accessories of genial
temperament, joyous disposition, and a chivalrous respect for women,
made up what I had at least in my mind when I tried to present to my
readers my Knight of Gwynne.
That my character of him was not altogether ideal, I can give no better
proof than the fact that during the course of the publication I received
several letters from persons unknown to me, asking whether I had not
drawn my portrait from this or that original, several concurring in
the belief that I had taken as my model The Knight of Kerry, whose
qualities, I am well assured, fully warranted the suspicion.
Public-domain text, read in full here on John Shaqi.
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