I tried to display the effect of this strange teaching on the mind of a
cultivated gentleman when describing the Knight of Gwynne. I endeavored
to show the “Irishry” of his nature was no other than the play of those
qualities by which he appreciated his countrymen and was appreciated by
them. So powerful is this sympathy, and so strong the sense of national
humor through all classes of the people, that each is able to entertain
a topic from the same point of view as his neighbor, and the subtle
_équivoque_ in the polished witticism that amuses the gentleman is never
lost on the untutored ear of the unlettered peasant. Is there any other
land of which one can say as much?
If this great feature of attractiveness pertains to the country and adds
to its adaptiveness as the subject of fiction, I cannot but feel that to
un-Irish ears it is necessary to make an explanation which will serve to
show that which would elsewhere imply a certain blending of station
and condition, is here but a proof of that widespread understanding by
which, however divided by race, tradition, and religion, we are always
able to appeal to certain sympathies and dispositions in common, and
feel the tie of a common country.
At the period in which I have placed this story the rivalry between
the two nations was, with all its violence, by no means ungenerous.
No contemptuous estimate of Irishmen formed the theme of English
journalism; and between the educated men of both countries there was
scarcely a jealousy that the character which political contest assumed
later on, changed much of this spirit and dyed nationalities with an
amount of virulence which, with all its faults and all its shortcomings,
we do not find in the times of the Knight of Gwynne.
CHARLES LEVER.
Trieste, 1872.
THE KNIGHT OF GWYNNE.
CHAPTER I. A FIRESIDE GROUP
It was exactly forty-five years ago that a group, consisting of three
persons, drew their chairs around the fire of a handsome dinner-room
in Merrion Square, Dublin. The brilliantly lighted apartment, the table
still cumbered with decanters and dessert, and the sideboard resplendent
with a gorgeous service of plate, showed that the preparations had
been made for a much larger party, the last of whom had just taken his
departure.
Of the three who now drew near the cheerful blaze, more intent, as it
seemed, on confidential intercourse than the pleasures of the table, he
who occupied the centre was a tall and singularly handsome man, of some
six or seven-and-twenty years of age. His features, perfectly classical
in their regularity, conveyed the impression of one of a cold and
haughty temperament, unmoved by sudden impulse, but animated by a spirit
daringly ambitious. His dress was in the height of the then mode, and he
wore it with the air of a man of fashion and elegance.
This was Lord Castlereagh, the youthful Secretary for Ireland, one whose
career was then opening with every promise of future distinction.
Public-domain text, read in full here on John Shaqi.
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