The young girl and her lover feared, not without reason, that the baron
might become involved in some serious difficulty. Recent and terrible
examples had proven that Richelieu desired to put an end to the
independence of the lords, and absorb their feudal privileges in the
power of the king.
Unfortunately, they could not dream of preventing Raimond V., when once
he determined upon any course of action, and his dependents were only
too willing to second his dangerous projects.
The good Abbé Mascarolus ventured to say a few words on
obedience,--that the lords owed it to themselves to set the example;
but a severe glance from the eye of the baron cut short the chaplain’s
moralising, and he dared not defend the marshal as he had defended the
warlike bishops.
Reine was not a little frightened at the baron’s extravagant bursts of
merriment and laughter, as he talked aside with Laramée.
When supper was over, according to the ancient and invariable usage of
hospitality, the baron took a lamp, and himself conducted Honorât de
Berrol to the chamber he was to occupy.
As upon previous occasions, the young man wished to spare the baron this
ceremonial, arguing that his position as a betrothed lover rendered
it unnecessary, but the old gentleman replied that not until after the
festivities of Christmas, when the marriage rite was to be celebrated,
could he be treated with less formality; until then, he must receive all
the attention due a gentleman who slept under his roof.
Reine entered her chamber, followed by Stephanette. Her apartment was
near that of her father, and listening she discovered to her great
regret that Laramée remained with him longer than was his habit, and
that the baron continued to make plans for the discomfiture of the
recorder and officers. At a late hour of the night, she heard the
majordomo order some of the baron’s servants to carry invitations.
Distressed by these indications, she dismissed Stephanette, and returned
to her chamber.
A new object of astonishment, almost of terror, awaited her there.
CHAPTER IX. THE PICTURE
After having shut the door which communicated with her father’s rooms.
Reine walked mechanically to the table standing in the embrasure of the
window. What was her astonishment to see on this table a little picture
encased in a frame of filigree, set with precious stones.
Her heart beat violently; she recalled the crystal vase, and a secret
presentiment told her that this picture had some mysterious connection
with the adventure among the rocks of Ollioules.
She approached it, trembling.
The perfection of this picture, painted on vellum, in imitation of
ancient manuscripts, was incredible.
It represented the scene in the gorges of Ollioules at the very moment
when the baron, embracing his daughter, had extended his hand to the
young stranger; at a distance on the rock, Pog and Trimalcyon, the
two foreign personages of whom we have spoken, appeared to command the
scene.
Public-domain text, read in full here on John Shaqi.
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