But now it was high noon; and forth filed from the palace-gates a long and glittering train--Henry and all his court, with all the rank and beauty of the realm, knights, nobles, peers and princes, damsels and dames--the pride of France and Europe. But at the monarch’s right walked one, clad in no gay attire--pale, languid, wounded, and warworn--Charles de La-Hirè, the victor. A sad, deep gloom o’ercast his large dark eye, and threw a shadow over his massy forehead. His lip had forgot to smile, his glance to lighten; yet was there no remorse, no doubt, no wavering in his calm, noble features--only fixed, settled sorrow. His long and waving hair of the darkest chestnut, evenly parted on his crown, fell down on either cheek, and flowed over the broad, plain collar of his shirt, which, decked with no embroidery-lace, was folded back over the cape of a plain black pourpoint, made of fine cloth indeed, but neither laced nor passemented, nor even slashed with velvet; a broad scarf of black taffeta supported his weapon--a heavy, double-edged, straight broadsword--and served at the same time to support his left arm, the sleeve of which hung open, tied in with points of riband; his trunk-hose and nether stocks of plain black silk, black velvet shoes, and a slouched hat, with neither feather nor cockade, completed the suit of melancholy mourning which he wore. In the midst of the train was a yet sadder sight--Marguerite de Vaudreuil, robed in the snow-white vestments of a novice, with all her glorious ringlets flowing in loose redundance over her shoulders and her bosom, soon to be cut close by the fatal scissors--pale as the monumental stone, and only not as rigid. A hard-featured, gray-headed monk supported her on either hand; and a long train of priests swept after, with crucifix, and rosary, and censer. Scarcely had this strange procession issued from the great gates of Les Tournelles--the death-bells tolling still from every tower and steeple--before another train, gloomier yet and sadder, filed out from the gate of the royal tiltyard, at the farther end of which stood a superb pavilion. Sixteen black Benedictine monks led the array, chanting the mournful _Miserere_. Next behind these (strange contrast!) strode on the grim, gaunt form, clad in his blood-stained tabard, and bearing full displayed his broad, two-handed axe--fell emblem of his odious calling--the public executioner of Paris. Immediately in the rear of this dark functionary, not borne by his bold captains, nor followed by his gallant vassals with arms reversed and signs of martial sorrow, but ignominiously supported by the grim-visaged ministers of the law, came on the bier of Armand, the last count de Laguy.