Department stores -- Fiction; Paris (France) -- Fiction; Seduction -- Fiction; Women sales personnel -- Fiction
Then she spoke of going to bed early with the children, for they were
all three very tired. But it had only just struck six, so she decided
to stay in the shop a little longer. Night had now come on, and she
found the street quite dark, drenched by a fine close rain, which had
been falling since sunset. It came on her as a surprise. A few minutes
had sufficed to fill the roadway with puddles, a stream of dirty
water was running along the gutters, the pavement was sticky with a
thick black mud; and through the beating rain she saw nothing but a
confused stream of umbrellas, pushing along and swelling in the gloom
like great black wings. She started back at first, feeling very cold,
oppressed at heart by the badly-lighted shop, now so extremely dismal.
A moist breeze, the breath of that old quarter of Paris, came in from
the street; it seemed as if the rain, streaming from the umbrellas,
was running right up to the counters, as if the pavement with its mud
and its puddles was coming into the shop, putting the finishing touch
to the mouldiness of that ancient, cavernous ground-floor, white with
saltpetre. It was quite a vision of old Paris in the wet, and it made
her shiver with distressful astonishment at finding the great city so
cold and so ugly.
But across the road The Ladies' Paradise glowed with its deep, serried
lines of gas jets. She moved nearer, again attracted and, as it were,
warmed by that ardent blaze. The machine was still roaring, active as
ever, letting its steam escape with a last roar, whilst the salesmen
folded up the stuffs, and the cashiers counted the receipts. Seen
through the hazy windows, the lights swarmed vaguely, revealing a
confused factory-like interior. Behind the curtain of falling rain,
the vision, blurred and distant, assumed the appearance of a giant
furnace-house, where the shadows of firemen passed black against the
red glare of the furnaces. The displays in the windows likewise became
indistinct: you could only distinguish the snowy lace, its whiteness
heightened by the ground glass globes of a row of gas jets, and against
this chapel-like background the ready-made goods stood out vigorously,
the velvet mantle trimmed with silver fox setting amidst them all the
curved silhouette of a headless woman who seemed to be running through
the rain to some entertainment in the unknown shades of nocturnal Paris.
Public-domain text, read in full here on John Shaqi.
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