The Ladies' Paradise: A Realistic NovelZola, Émile
General
The Ladies' Paradise: A Realistic Novel
Zola, Émile
Department stores -- Fiction; Paris (France) -- Fiction; Seduction -- Fiction; Women sales personnel -- Fiction
And she spoke of going to bed early with the children, for they were
all three very tired. But it had only just struck six, so she decided to
stay in the shop a little longer. Night had come on, and she found
the street quite dark, enveloped in a fine close rain, which had been
falling since sunset. She was surprised. A few minutes had sufficed to
fill the street with small pools, a stream of dirty water was running
along the gutters, the pavement was thick with a sticky black mud;
and through the beating rain she saw nothing but a confused stream of
umbrellas, pushing, swinging along in the gloom like great black wings.
She started back at first, feeling very cold, oppressed at heart by the
badly-lighted shop, very dismal at this hour of the day. A damp breeze,
the breath of the old quarter, came in from the street; it seemed that
the rain, streaming from the umbrellas, was running right into the shop,
that the pavement with its mud and its puddles extended all over the
place, putting the finishing touches to the mouldiness of the old shop
front, white with saltpetre. It was quite a vision of old Paris, damp
and uncomfortable, which made her shiver, astonished and heart-broken to
find the great city so cold and so ugly.
But opposite, the gas-lamps were being lighted all along the frontage of
The Ladies' Paradise. She moved nearer, again attracted and, as it were,
warmed by this wealth of illumination. The machine was still roaring,
active as ever, hissing forth its last clouds of steam; whilst the
salesmen were folding up the stuffs, and the cashiers counting up the
receipts. It was, as seen through the hazy windows, a vague swarming of
lights, a confused factory-like interior. Behind the curtain of falling
rain, this apparition, distant and confused, assumed the appearance of
a giant furnace-house, where the black shadows of the firemen could
be seen passing by the red glare of the furnaces. The displays in the
windows became indistinct also; one could only distinguish the snowy
lace, heightened in its whiteness by the ground glass globes of a row of
gas jets, and against this chapel-like background the ready-made goods
stood out vigorously, the velvet mantle trimmed with silver fox threw
into relief the curved profile of a headless woman running through the
rain to some entertainment in the unknown of the shades of the Paris
night.
Public-domain text, read in full here on John Shaqi.
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