Both of them referred to Baron Hartmann, director of the Crédit Immobilier. Madame Desforges, daughter of a Councillor of State, was the widow of a stock-broker, who had left her a fortune, denied by some, exaggerated by others. Even during her husband's lifetime people said she had shown herself grateful towards Baron Hartmann, whose financial tips had proved very useful to them; and later on, after her husband's death, the acquaintance had probably continued, but always discreetly, without imprudence or display; for she never courted notoriety in any way, and was received everywhere in the upper-middle classes amongst whom she was born. Even at this time, when the passion of the banker, a sceptical, crafty man, had subsided into a simple paternal affection, if she permitted herself certain lovers whom he tolerated, she displayed in these treasons of the heart such a delicate reserve and tact, a knowledge of the world so adroitly applied, that appearances were saved, and no one would have ventured to openly express any doubt as to her conduct Having met Mouret at a mutual friend's, she had at first detested him; but she had yielded to him later on, as if carried away by the violent love with which he attacked her, and since he had commenced to approach Baron Hartmann through her, she had gradually got to love him with a real profound tenderness, adoring him with the violence of a woman already thirty-five, although only acknowledging twenty-nine, and in despair at feeling him younger than herself, trembling lest she should lose him. “Does he know about it?” “No, you'll explain the affair to him yourself,” she replied. She looked at him, thinking that he couldn't know anything or he would not employ her in this way with the baron, affecting to consider him simply as an old friend of hers. But he still held her hand, he called her his good Henriette, and she felt her heart melting. Silently she presented her lips, pressed them to his, then whispered: “Oh, they're waiting for me. Come in behind me.” They could hear voices issuing from the principal drawingroom, deadened by the heavy curtains. She pushed the door, leaving its two folds open, and handed the fan to one of the four ladies who were seated in the middle of the room. “There it is,” said she; “I didn't know exactly where it was. My maid would never have found it.” And she added in her cheerful way: “Come in, Monsieur Mouret, come through the little drawing-room; it will be less solemn.” Mouret bowed to the ladies whom he knew. The drawingroom, with its flowered brocatel Louis XVI. furniture, gilded bronzes and large green plants, had a tender feminine air, notwithstanding the height of the ceiling; and through the two windows could be seen the chestnut trees in the Tuileries Gardens, their leaves blowing about in the October wind. “But it isn't at all bad, this Chantilly!” exclaimed Madame Bourdelais, who had taken the fan.