The Ladies' Paradise: A Realistic NovelZola, Émile
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The Ladies' Paradise: A Realistic Novel
Zola, Émile
Department stores -- Fiction; Paris (France) -- Fiction; Seduction -- Fiction; Women sales personnel -- Fiction
From the very threshold it was a marvel, a surprise, which enchanted all
of them. It was Mouret who had been struck with this idea. He was the
first to buy, in the Levant, at very advantageous rates, a collection of
old and new carpets, articles which up to the present had only been sold
at curiosity shops, at high prices; and he intended to flood the market
with these goods, selling them at a little over cost price, simply
drawing from them a splendid decoration destined to attract the best
class of art customers to his establishment From the centre of the Place
Gaillon could be seen this oriental saloon, composed solely of carpets
and door curtains which had been hung under his orders. The ceiling was
covered with a quantity of Smyrna carpets, the complicated designs of
which stood out boldly on a red ground. Then from each side there hung
Syrian and Karamanian door-curtains, speckled with green, yellow, and
vermilion; Diarbekir door-curtains of a commoner type, rough to the
touch, like shepherds' cloaks; besides these there were carpets which
could be used as door-curtains and hangings--long Ispahan, Teheran,
and Kermancha rugs, the larger Schoumaka and Madras carpets, a strange
florescence of peonies and palms, the fancy let loose in a garden of
dreams. On the floor were more carpets, a heap of greasy fleeces: in the
centre was an Agra carpet, an extraordinary article with a white ground
and a broad delicate blue border, through which ran violet-coloured
ornaments of exquisite design. Everywhere there was an immense display
of marvellous fabrics; Mecca carpets with a velvety reflection, prayer
carpets from Daghestan with a symbolic point, Kurdistan carpets covered
with blossoming flowers; and finally, piled up in a corner, a heap of
Gherdes, Koula, and Kirchur rugs from fifteen francs a piece.
This sumptuous pacha's tent was furnished with divans and arm-chairs,
made with camel sacks, some ornamented with many-coloured lozenges,
others with primitive roses. Turkey, Arabia, and the Indies were all
there. They had emptied the palaces, plundered the mosques and bazaars.
A barbarous gold tone prevailed in the weft of the old carpets,
the faded tints of which still preserved a sombre warmth, as of an
extinguished furnace, a beautiful burnt hue suggestive of the old
masters. Visions of the East floated beneath the luxury of this
barbarous art, amid the strong odour which the old wools had retained of
the country of vermin and of the rising sun.
Public-domain text, read in full here on John Shaqi.
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