My visit to Sada was so full of things that did not happen. When I reached the house, I sent in my card to Sada. Uncle came gliding in like a soft-footed panther. He did it so quietly that I jumped when I saw him. We took up valuable time repeating polite greetings, as set down on page ten of the Book of Etiquette, in the chapter on Calls Made by Inconvenient Foreigners. When our countless bows were finished, I asked in my coaxingest voice if I might see Sada. Presently she came in, dressed in Japanese clothes and beautiful even in her pallor. She was changed--sad, and a little drooping. The conflict of her ideals of duty to her mother's people and the real facts in the case, had marked her face with something far deeper than girlish innocence. It was inevitable. But above the evidences of struggle there was a something which said the dead and gone Susan West had left more than a mere memory. Silently I blessed all her kind. Sada was unfeignedly glad to see me, and I longed to take her in my arms and kiss her. But such a display would have marked me in Uncle's eyes as a dangerous woman with unsuppressed emotions, and unfit for companionship with Sada. I had hoped his Book of Etiquette said, "After this, bow and depart." But my hopes had not a pin-feather to rest on. He stayed right where he was. All right, old Uncle, thought I, if stay you will, then I shall use all a woman's power to beguile you and a woman's wit to out-trick you, so I can make you show your hand. It is going to be a game with the girl as the prize. It is also going to be like playing leap-frog with a porcupine. He has cunning and authority to back him, and I have only my love for Sada. For a time I talked at random, directing my whole conversation to him as the law demands. By accident, or luck, I learned that the weak point in his armor of polite reserve was color prints. Just talk color prints to a collector and you can pick his pocket with perfect ease.