Callous-handed ranchers and their faded wives promenaded arm in arm.
Sheep-herders and cow-punchers passed in the figures of the dance eyeing
each other in mutual antipathy. The neat "hand-me-downs" of grocery
clerks contrasted with the copper-riveted overalls of shy and silent
prospectors from the hills who stood against the walls envying their
dapper ease. A remittance man from Devonshire whose ancestral halls had
sheltered an hundred knights danced with Faro Nell, who gambled for a
living, while the station agent's attenuated daughter palpitated in the
arms of a husky stage-driver. Mr. Percy Parrott, the sprightly cashier
of the new bank, swung the new milliner from South Dakota. Sylvanus
Starr, the gifted editor of the Crowheart _Courier_, schottisched with
Mrs. "Hank" Terriberry, while his no less gifted wife swayed in the arms
of the local barber, and his two lovely daughters, "Pearline" and
"Planchette," tripped it respectively with the "barkeep" of the White
Elephant Saloon and a Minneapolis shoe-drummer. In the centre of the
floor the new plasterer and his wife moved through the figures of the
French minuet with the stiff-kneed grace of two self-conscious giraffes,
while Mrs. Percy Parrott, a long-limbed lady with a big, white,
Hereford-like face, capered with "Tinhorn Frank," the oily, dark,
craftily observant proprietor of the "Walla Walla Restaurant and
Saloon." Mr. Abe Tutts, of the Flour and Feed Store, skimmed the floor
with the darting ease of a water-spider dragging beside him his far less
active wife, a belligerent-appearing and somewhat hard-featured lady
several years his senior.
But the long, crowded dining-room held two central figures, one of which
was Andy P. Symes, and the other was Essie Tisdale, the little waitress
of the Terriberry House and the belle of Crowheart.
Symes moved among his guests with the air of a man who found amusement
in mingling with those he deemed his inferiors even while patently
bidding for their admiration and regard. His height and breadth of
shoulder made him conspicuous even in this gathering of tall men. His
finely shaped head was well set but in contrast his utterly
inconsequential nose came as something of a shock. His face was florid
and genial and he had a word for the most obscure.
Yet the trained and sensitive observer would have felt capabilities for
boorishness beneath his amiability, a lack of sincerity in his impartial
and too fulsome compliments. His manner denoted a degree of social
training and a knowledge of social forms acquired in another than his
present environment, but he was too fond of the limelight--it cheapened
him; too broad in his attentions to women--it coarsened him; his
waistcoat was the dingy waistcoat of a man of careless habits; his linen
was not too immaculate and the nails of his blunt fingers showed lack of
attention. He was the sort of man who is nearly, but not quite, a
gentleman.
Public-domain text, read in full here on John Shaqi.
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