Crowheart was platted on a sagebrush "bench" on a spur of a branch
railroad. The snow-covered peaks of a lofty range rose skyward in the
west. To the north was the solitary butte from which the town received
its name. To the south was a line of dimpled foothills, while eastward
stretched a barren vista of cactus, sand, and sagebrush. A shallow
stream flowed between alkali-coated banks on two sides of the town. In
the spring when melting mountain snows filled it to overflowing, it ran
swift and yellow; but in the late fall and winter it dropped to an
inconsequential creek of clear water, hard with alkali. The inevitable
"Main Street" was wide and its two business blocks consisted of
one-story buildings of log and unpainted pine lumber. There was the
inevitable General Merchandise Store with its huge sign on the high
front, and the inevitable newspaper which always exists, like the
faithful at prayer, where two or three are gathered together. There were
saloons in plenty with irrelevant and picturesque names, a dance hall
and a blacksmith shop. The most conspicuous and pretentious building in
Crowheart was the Terriberry House, bilious in color and Spartan in its
architecture, located in the centre of Main Street on a corner. The
houses as yet were chiefly tar-paper shacks or floored and partially
boarded tents, but the sound of the saw and the hammer was heard
week-days and Sundays so no one could doubt but that it was only a
question of time when Crowheart would be comfortably housed. There was
nothing distinctive about Crowheart; it had its prototype in a thousand
towns between Peace River and the Rio Grande; it was typical of the
settlements which are springing up every year along the lines of those
railroads that are stretching their tentacles over the Far West. Yet the
hopes of Crowheart expressed themselves in boulevards outlined with new
stakes and in a park which should, some day, be a breathing spot for a
great city. It was Crowheart's last thought that it should remain
stationary and obscure.
To Dr. Harpe swinging down from the high step of the single passenger
coach in the mixed train of coal and cattle cars, it looked like a
highly colored picture on a drop-curtain. The effect was impressionistic
and bizarre as it lay in the gorgeous light of the setting sun, yet it
pleased and rested the eye of the woman whose thoughts had not been
conducive to an appreciation of scenery during the journey past.
As she drew a deep breath of the thin, stimulating air, the tension
lessened on her strained nerves. She looked back at the interminable
miles over which she had come, the miles which lay between her and the
nightmare of disgrace and failure she had left, and then at the new,
untried field before her. The light of new hope shone in her handsome
hazel eyes, and there was fresh life in her step as she picked up her
suitcase and started across the railroad track toward the town.
Public-domain text, read in full here on John Shaqi.
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