"I'd have been a fool not to. Here's a girl comes to me out of the
_ewigkeit_. No name, no story, nothing. Won't tell me who she is or
where she has played before. Just says, 'I've read about Constant
Hayter's play--I know Derbyshire; I have loved the tradition of that
story all my life. Money is nothing to me. Let me play the part Miss
Fay Warner has given up. Let me play it at rehearsal, and then say
whether you wish me to go on.' You couldn't better it in a fairy book.
I see her act a scene, hear her speak twenty lines, and say, 'That's
bully.' She doesn't ask a salary--why, sir, the girl's a genius born
and bred--and what's more she's a lady from the top of her hat to the
soles of her boots. I couldn't wish my own daughter to behave better."
"Something odd about her all the same," Lacombe reflected; "dreadfully
afraid of being known. She goes in and out of the theatre like a
ghost."
Mr. Charles Izard laughed again.
"Well, don't she play the part of one?" he asked affably. "How would
you have her come in and out? Whistling like the overhead? The part's
herself--the Lady of Haddon. She was born to it. If that girl hasn't
walked as a ghost sometime or other, put me down for twenty pounds to
an hospital. And no salary, sir, not a single penny."
"Immense," said Lacombe, but immediately paused as a well-known critic
passed through the hall and went out to the theatre almost adjoining
the hotel.
"There's Clayaton," he went on quickly, "it's not often he sits out a
sword-and-cape drama."
"Then he'll sit out one to-night and be ashamed of himself in the
morning. Let's get, my boy, it's just on the half-hour. We must be
there."
What precisely would have happened had so great a man not been there,
the merely humble individual might hardly dare to say. As events went,
Mr. Charles Izard put on a light great-coat with a great deal of
splendid ceremony, and giving the many-colored lackey a shilling,
strolled pompously into the street with his cigar still alight.
Passing His Majesty's, before whose doors the boards "House Full" were
conspicuously displayed, the pair walked leisurely on to the front
entrance of the Carlton Theatre, and were there gratified by one of
those spectacles which London alone can display upon the first night of
a new production.
Public-domain text, read in full here on John Shaqi.
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