So the Second Act passed and found him not a little anxious, and he sat
far back in his box when the curtain rose upon the Third and
concentrated his whole attention upon the performance. The scene was
that of the Long Gallery at Haddon; the episode, a midnight meeting
between Dorothy and her lover. Dressed in spotless white with the
softest black hair tumbling about her almost to her knees, young and
supple limbs moving elegantly, a face that Reynolds might have loved to
paint, a voice that was music to hear--nevertheless all these physical
attributes were speedily forgotten in the sincerity of Etta Romney's
acting and the human feeling which animated it. Here was one who loved
every stone of this ancient house which the quivering canvas attempted
to portray; who had wandered abroad often in its stately park, who
spoke the tongue of three centuries ago more naturally than her own,
who had been so moved by this story of Di Vernon's life that she gave
her very soul to its re-telling. From amazement the audiences passed
quickly to a kind of entrancement which only genius can command. It
did not applaud; its silence was astounding--not a whisper, scarce the
rustle of a dress could be heard. The spell growing, it followed the
white figure from scene to scene; was unconscious, perhaps, that any
other than she trod the stage; devoured her with amazed eyes; heard,
for the first time, each a tale of mediæval England as neither
historian nor romancer had ever told. When the curtain fell, the
people still sat in silence a little while; but the applause came at
length, upon a tempest of wild excitement rarely known in a modern
theatre.
Who was she? Whence had she come?
A hundred ready tongues asked the question which none appeared able to
answer.
There was but one man in the house who made sure of Etta Romney's
identity, and he was a Roumanian.
Count Odin had witnessed the girl's _début_ from a box on the second
tier.
"She is a great actress," he said to his companion, Felix Horowitz, a
young attaché from the Hungarian Embassy; "I am going to make love to
her."
The young man looked up quickly.
"I promise you failure," he said--"a woman who can speak of England
like that will marry none but an Englishman."
CHAPTER III
SUCCESS AND AFTERWARDS
Etta Romney sat in her little dressing-room when the play was over, so
very tired after all she had done that even the congratulations of Mr.
Charles Izard failed to give her pleasure.
Public-domain text, read in full here on John Shaqi.
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