"She's going to make friends enough out yonder in the Fall," said
Izard, whose quick ear caught the tone of their conversation. "I shall
take this company over in September if we play to any money this side.
Miss Romney goes with me, and I promise her a good time any way.
America's the country for her talent. You've too many played-out
actors over here. Most of them think themselves beautiful, and that's
why their theatres close up."
He laughed a flattering tribute to his own cleverness, as much as to
say--"My theatres never close up." Count Odin on his part smiled a
little dryly as though he might yet have something to say to the
proposed arrangement.
"Are you looking forward to the journey, Miss Romney?" he asked Etta in
a low voice.
"I am not thinking at all about it," she said very truthfully.
"Then perhaps you are looking backward," he suggested, but in such a
low tone that even Izard did not hear him.
When Etta turned her startled eyes upon him, he was already addressing
some commonplace remark to his hostess, while Mr. Charles Izard amused
himself by diligently checking the total of the bill.
"I could keep a steam yacht on what I pay for wine in this hotel," he
remarked jovially, addressing himself so directly to the ladies that
even his good dame protested.
"My dear Charles," she exclaimed, "you are not suggesting that I have
drunk it?"
"Well, I hope some one has," was the affable retort. "Let's go and
smoke. It's suffocating in here."
Etta had been greatly alarmed by the Count's remark, though she was
very far from believing that it could bear the sinister interpretation
which her first alarm had put upon it. This fear of discovery had
dogged her steps since she quitted her home to embark upon as wild an
adventure as a young girl ever set her hand to; but if discovery came,
she reflected, it would not be at the bidding of a foreigner whom she
had seen for the first time in her life but a few days ago. Such
wisdom permitted her quickly to recover her composure, and she pleaded
the lateness of the hour and her own fatigue as the best of reasons for
leaving the hotel.
"I am glad you were pleased," she said to Izard, holding out her hand
directly they entered the hall. "Of course it has all been very
dreadful to me and I'm still in a dream about it. The newspapers will
tell me the truth to-morrow, I feel sure of it."
He shook her hand and held it while he answered her.
"Don't you go thinking too much about the newspapers," he said, with a
splendid sense of his own importance. "When Charles Izard says that a
play's got to go, it's going, my dear, though the great William
Shakespeare himself got out of his grave to write it down. You've done
very well to-night and you'll do better when you know your way about
the stage. Go home and sleep on that, and let the critics spread
themselves as much as they please."
Public-domain text, read in full here on John Shaqi.
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