So to the end did this amiable appreciation applaud the player and
tolerate the play for her sake. Etta understood that it must mean much
to her; but she was too feverishly impatient to dwell upon it, and she
turned to the "Daily Shuffler" wishing that she had eyes to read all
the papers at once. The "Daily Shuffler" was very cruel:
"Miss Etta Romney," it said, "is worthy of better things. As a whole,
the performance was beneath contempt. At the same time, we are not
unprepared to hear that an ignorant public is ready to patronize it."
Had Etta known that the author of this screed was a youth of eighteen,
who had asked for two stalls and been allotted but one, she might have
been less crestfallen than she was when her fingers discovered this
considerable thorn upon her rose-bush. But she knew little of the
drama and less than nothing of its criticism; and there were tears in
her eyes when she put the papers down.
"How cruel," she said, "how could people write of others like that!"
She did not believe that she could have the heart to read more, and
might not have done so had not little Dulcie Holmes flung herself into
the room at that very moment and positively screamed an expression of
her rapture.
"Oh, you dear," she cried, "oh, you splendid Etta! Have you read them!
Have you seen them? Now isn't it lovely? Aren't you proud of them,
Etta? Aren't you just crying for joy?"
Lucy Grey, who had climbed the stairs in a more stately fashion and was
very much out of breath at the top of them, came in upon the climax to
tell Dulcie not to carry on so dreadfully and to assure Etta that the
notices were very nice. She, however, soon joined a shrill voice to
her friend's, and the two, sitting upon the bed, began to read the
papers together with such a running babble of comment, interjections,
cries, and good-natured expressions of envy, that the neighbors might
well have believed the house to be on fire.
"The curtain fell to rapturous--oh, Etta--now, Lucy, do keep quiet--her
acting in the Gallery Scene--I say that I began it first--her acting in
the Gallery Scene--she has a grace so subtle, a manner so
winning--isn't that lovely!--now, Lucy, be quiet--we began to think
after the Second Act--oh, bother the Second Act--now, there you go
again--she is indeed the embodiment of that picture romance has painted
for us and history destroyed--oh, Etta--!" and so on, and so on.
Public-domain text, read in full here on John Shaqi.
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