This, then, was his goal, this superb fabric which the genius of the
mediæval age had bequeathed to England and to posterity. No words
could rightly have described the emotions which stirred his imagination
as he stood to contemplate the jagged line of building and battlement,
chapel, tower and stable, which his hand should snatch from the greedy
hand of time. The very park, with its soft grasses, and deer in shadow
pictures beneath the trees, could conjure up a vision of knights and
pages and stately dames and all the witching pageantry of
half-forgotten centuries. The great house itself might have been the
house of a thousand mysteries, locked in banded coffers, enshrined in
ghostly walls--crying aloud none the less to him who would listen to
the tongue of their romance. Gavin Ord stood in an ecstasy of homage
to worship at the gates of such a temple as this. And, standing so, he
heard a woman's cry.
He had walked across the park with slow steps and come to the narrow
bridge of five Roman arches which spanned the shallow river--shallow,
save for one deep pool over which many a fisherman must have thrown a
skilful fly. Standing by the balustrade to contemplate the picture,
his delighted eyes traced every tower and pinnacle of Melbourne Hall
with an artist's ecstasy--thence looked out over the moonlit park to
glades of surpassing beauty and scenes which the centuries had
hallowed. How inimitable it all was--the mighty yews about which
Elizabeth's courtiers had grouped; the groves which had listened to
many a child of Pampinea--the fearsome walls, what tragedies, what
comedies, had been played within them! Even a dullard might
contemplate the scene with awe. Gavin Ord was no dullard, and the
spell it cast upon him was such as he had never known in all his life.
So entirely did it claim his mind and will that when he heard a woman's
low cry beneath the very bridge he stood upon, he scarcely turned his
head or gave the matter a thought.
What had happened; whence came the sound? Being repeated, he could no
longer ignore it. In truth, it awed him not a little; for it was not
the voice of a woman in danger but of one asking his pity, his help, as
it seemed, in a low whispering voice which he now heard more clearly
than if a strong man had shouted at him. Taking one quick glance at
the river, Gavin declared that the cry could not have come from there.
Splashing and leaping over mossy boulders, a child might have waded
across the stream, he thought. Then whence did the cry come? Turning
about, to the right, to the left, he discovered himself to be still
alone. It was the voice of imagination he began to say; and was about
to quit the place when he heard it for the third time, and so
unmistakably, that he no longer doubted it to be human.
Some one called to him from the river below the bridge.
Public-domain text, read in full here on John Shaqi.
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