The Lady from Nowhere: A Detective Story — John Shaqi
The Lady from Nowhere: A Detective StoryHume, Fergus
Philosophy
The Lady from Nowhere: A Detective Story
Hume, Fergus
Detective and mystery stories; England -- Fiction; Murder -- Investigation -- Fiction
Edith nodded, and led the way into the house. Gebb followed her
through the sitting-room, which faced the terrace, and down a wide
passage, on the wall of which hung many pictures, mostly ancestral
portraits. At the end of this passage his guide unlocked a door, with
a key selected from a bunch which dangled at her girdle, and threw it
open, so that Gebb could pass into the room before her. He did so
without hesitation.
"This is the Yellow Boudoir," said Miss Wedderburn, following the
detective; "it was in this room that the unfortunate Mr. Kirkstone was
killed twenty years ago."
"By Dean!"
"Not by Dean," replied Miss Wedderburn, sharply. "From all I have
heard. Dean is as innocent of that crime as you are."
"Then who is guilty?" asked Gebb, artfully.
"I am not a detective," said Edith, moving towards the window, "so I
cannot give you an opinion. If you will permit me I will admit air and
light so that you can see the room to its fullest advantage."
When they entered, the boudoir had been in a kind of semi-darkness, as
the shutters of the one window were closed; but now Miss Wedderburn
threw these open, and the sunlight poured in. The dust raised by their
feet danced in motes and specs in the sun's rays, and Gebb, dazzled by
the strong glare, felt his eyes somewhat painful. However, they soon
became habituated to the flood of glorious light, and he looked with
deep interest at the original of the room which he had seen in
Paradise Row.
The apartment was larger than that which had been occupied by Miss
Gilmar in Grangebury, but in every respect the furnishing and
appointments were the same, as she had carried out her whim with the
utmost care. The furniture, in place of being cane, was Chippendale;
the window and door were differently placed; and the colouring of the
whole room was more subdued and mellowed by Time. But the
predominating hue was the same--the carpet was yellow, sprinkled with
bunches of pale primrose flowers, the walls were draped with costly
hangings of golden tint, and, from a domed ceiling of drawn silk
depended an exact copy of the Arabian lamp studded with knobs of
yellow glass. The furniture was cushioned and covered with yellow
silk; the vases and metal-work were of brass; there was even a brazen
tripod and chafing dish standing in the same position as its imitation
had occupied in Paradise Row. The main difference in the room lay in
the absence of books, knickknacks, flowers and magazines, which showed
that it was not in daily use; otherwise all was the same. Gebb almost
fancied that some genii of the lamp had transported the Grangebury
palace to Norminster.
"It is just the same," he said aloud, having taken in these details.
"What is the same?" asked Miss Wedderburn, who was standing near the
window.
"This room. It is similar to that in which Miss Lig--I mean in which
Miss Gilmar was murdered."
Public-domain text, read in full here on John Shaqi.
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