The Lady from Nowhere: A Detective StoryHume, Fergus
Philosophy
The Lady from Nowhere: A Detective Story
Hume, Fergus
Detective and mystery stories; England -- Fiction; Murder -- Investigation -- Fiction
CHAPTER II
THE DEATH-CARD
If the appearance of the room was amazing, that of the dead woman was
not less so. The body was lying loosely in an armchair, with sprawling
legs and arms, like a saw-dust doll. The head lay limply on the
shoulder, and a yellow cord--evidently torn from a near curtain--was
bound tightly round the lean throat The distorted face, the protruding
tongue, the bulging eyes, and discoloured skin, all showed that the
poor creature had been strangled in the most remorseless manner.
Before her was placed a low cane table, on the yellow coverlet of
which a pack of cards was spread out face downward, but in the lap of
the dead woman lay another card with the face upward. It was the ace
of spades. Mrs. Presk noting it for the first time gave a screech of
mingled horror and surprise.
"The death-card!" she gasped, stepping back. "Lord! how awful!"
"What do you mean by the death-card?" asked Gebb, sharply.
"Why!" said Mrs. Presk, astonished at the question, which to her
seemed unnecessary, "it's the card in the pack as stands for death.
When you turn up the ace of spades you know it's time to order your
coffin."
"Rubbish!" said Gebb. "Humbug!" roared the inspector; and they both
shrugged their shoulders to show their contempt for such superstition.
Mrs. Presk shook her head gloomily. "Talk won't alter the matter!" she
said, pointing to the card. "There's the death-token, and there's the
corpse; what do you make of that?"
"I make this," said Gebb, dryly; "that the murderer must be a person
of imagination."
"He ought to be shot, the blackguard," growled Lackland, "play-acting
with a corpse. I wonder what they were fooling with cards for? Looks
like a madman's work to me. What do you say, Gebb?"
Gebb said nothing at the moment. He was examining the dead woman, who
was arrayed with unusual splendour quite in keeping with the room, yet
too richly for the front parlour of a fifth-rate lodging-house.
Miss Ligram's body was that of an old woman close upon sixty years of
age, with a wrinkled face, and a profusion of silvery white hair
turned back in the style of Marie Antoinette. It was dressed in an
old-fashioned dinner-dress of white silk, trimmed with valuable lace,
and this was designed so as to show the lean neck and bony arms of the
wearer. Anything more incongruous than that poor clay clothed in such
costly garments can scarcely be imagined. It seemed to accentuate the
grimness of the crime, almost to elevate a sordid murder to the level
of tragedy.
"Did Miss Ligram usually dress like this?" asked Gebb, turning to Mrs.
Presk.
"Every evening!" replied the landlady, promptly.
"She must have been eccentric!" was Gebb's comment on this reply.
"Very eccentric, sir. I don't think she was quite right here." And the
landlady tapped her head significantly.
"A Crazy Jane?" questioned Lackland.
Public-domain text, read in full here on John Shaqi.
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