The Lady from Nowhere: A Detective Story — John Shaqi
The Lady from Nowhere: A Detective StoryHume, Fergus
Philosophy
The Lady from Nowhere: A Detective Story
Hume, Fergus
Detective and mystery stories; England -- Fiction; Murder -- Investigation -- Fiction
The chair in which the dead body was lying, stood some little distance
from the hangings of the wall. These, as Gebb discovered on further
examination, had been draped back with a cord to reveal a small oil
painting; but the cord--which had a loop at either end to slip over a
brass nail, concealed beneath the hangings of satin--had been deftly
removed (not torn) from its peg, and flung round the victim's neck. On
the floor behind the chair Gebb picked up a half-burnt cigarette,
which had smouldered out. With this in his hand he returned to the
centre of the room and looked once more at the cards. These attracted
him strangely.
"Without doubt the fortune-telling was a trick," he said aloud. "The
man set out the cards, and while his victim was selecting one he
lighted a cigarette, and rose to stroll round the room. Not suspecting
any danger--which shows, by the way, that she must have trusted
him--his victim let him pass behind her chair. While there, he slipped
the loops of the cord off the nail. Then when she turned up the
death-card--a pure coincidence, no doubt--he threw the cord over her
head and choked her before the poor wretch had time to call out for
assistance. He then robbed the body at his leisure, and left the
house. It's as clear as day."
Presuming that the murderer had gone out by the front door, Gebb left
the room and went into the passage. To his surprise he found that the
front door was locked, but, as the detective noted, not bolted.
"He must have locked it after he left the house," thought Gebb, "and
no doubt did so to prevent intrusion and a too sudden discovery of his
crime. I expect he threw away the key when outside. In the front
garden most probably; I'll look."
Before he could put his design into execution, which he intended doing
by passing out the back way, Mrs. Presk arrived downstairs with the
intelligence that Inspector Lackland was still searching the upper
portion of the house for traces of the assassin, but could find
nothing and no one. "So," said she, "I expect the wretch ran away
after killing poor Miss Ligram."
"By the front door," Gebb informed her, "and he locked it after him."
"Did he?" said Mrs. Presk, with a stare; "now that's queer."
"Why?" asked the detective, sharply.
"Because Miss Ligram always kept the front door locked, and the key in
her pocket. That was one of her queer ways which I never could abide."
Without a word Gebb returned to the Yellow Boudoir, and searched in
the pocket of the dead woman. Sure enough he found therein a large key
which Mrs. Presk immediately declared to be that of the front door.
Gebb was puzzled, as this discovery upset much of his previous
reasoning.
"In that case the man could not have cleared out by the front," he
said, "as not having the key he could not lock the door after him. Let
us see the back door; he may have escaped in that direction."
"The back door was locked," said Mrs. Presk, promptly. "I had the key
in my pocket when I went to the lecture."
Public-domain text, read in full here on John Shaqi.
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