"Well, we let him get half way to Oneglia, when we just slipped a handkerchief with a little perfume upon it, over his nose and mouth, and a few minutes later we laid him quietly down behind a wall. Then I turned the car back to where we had previously stored some pots of white paint and a couple of big brushes, and in an hour had transformed the colour of the car and changed its identification-plates. Imagine our joy when we found the back locker where the tools should have been crammed with bags of gold twenty lire pieces, while under the inside seat we found a number of neat packets of fifty and one-hundred and five-hundred lire notes. Just after midnight we slipped back through San Remo, and two days ago arrived safely in Paris with our valuable freight. Like to see some of it?" he added, and rising he pushed back the bookcase, opened the panel and took out several bundles of Italian notes. I saw also within a number of small canvas bags of gold. "By this time, Garrett," he added, laughing and pouring me out a drink, "old Finch Grey is gnashing his teeth, for he cannot invoke the aid of the police, and the women who intended to be avenged upon us for our daring are, no doubt, very sorry they ran away with our car, which, after all, was not nearly such a good one as the mysterious `sixty.' Theirs wasn't a particularly cheery journey, was it?" and lifting his glass he added, "So let's wish them very good luck!" CHAPTER FOUR. THE MAN WITH THE RED CIRCLE. Another story related by Garrett, the chauffeur, is worth telling, for it is not without its humorous side. It occurred about six weeks after the return of the party from San Remo. It was dismal and wet in London, one of those damp yellow days with which we, alas I are too well acquainted. About two o'clock in the afternoon, attired in yellow fishermen's oil-skins instead of his showy grey livery, Garrett sat at the wheel of the new "sixty" six-cylinder car of Finch Grey's outside the Royal Automobile Club, in Piccadilly, bade adieu to the exemplary Bayswater parson, who stood upon the steps, and drew along to the corner of Park Lane, afterwards turning towards the Marble Arch, upon the first stage of a long and mysterious journey.